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he next trial was with stone-throwing. The result was still the same. Now it was for them to try the classical Hawaiian game of _lua_. This was a strenuous form of contest that has many features in common with the panathlion of the ancient Hellenes, some points in common with boxing, and still more, perhaps, partakes of the character of the grand art of combat, wrestling. Since becoming acquainted with the fine Japanese art of _jiu-jitsu_, the author recognizes certain methods that were shared by them both. But to all of these it added the wild privileges of choking, bone-breaking, dislocating, eye-gouging, and the infliction of tortures and grips unmentionable and disreputable. At first the conflict was in suspense, victory favoring neither party; but as the contest went on Puapuakea showed a slight superiority, and at the finish he had bettered Maka-ku by three points, or _ai_[205], as the Hawaiians uniquely term it. [Footnote 205: _Ai_, literally a food, a course.] The sisters, Maile-lau-lii and Maile-pakaha, who had been interested spectators of the contest, conceived a passionate liking for the two warriors and laid their plans in concert to capture them for themselves. Fortunately their preferences were not in conflict. Maile-lau-lii set her affections on Maka-ku, while the younger sister devoted herself to Pua-pua-kea. The two men had previously allowed their fancies to range abroad at pleasure; but from this time they centered their hearts on these two Mailes and settled down to regular married life. Interest in the actual performance of the hula ki'i was stimulated by a resort to byplay and buffoonery. One of the marionettes, for instance, points to some one in the audience; whereupon one of the _hoopaa_ asks, "What do you want?" The marionette persists in its pointing. At length the interlocutor, as if divining the marionette's wish, says: "Ah, you want So-and-so." At this the marionette nods assent, and the hoopaa asks again, "Do you wish him to come to you?" The marionette expresses its delight and
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