he next
trial was with stone-throwing. The result was still the same.
Now it was for them to try the classical Hawaiian game of
_lua_. This was a strenuous form of contest that has many
features in common with the panathlion of the ancient
Hellenes, some points in common with boxing, and still more,
perhaps, partakes of the character of the grand art of
combat, wrestling. Since becoming acquainted with the fine
Japanese art of _jiu-jitsu_, the author recognizes certain
methods that were shared by them both. But to all of these it
added the wild privileges of choking, bone-breaking,
dislocating, eye-gouging, and the infliction of tortures and
grips unmentionable and disreputable. At first the conflict
was in suspense, victory favoring neither party; but as the
contest went on Puapuakea showed a slight superiority, and at
the finish he had bettered Maka-ku by three points, or
_ai_[205], as the Hawaiians uniquely term it.
[Footnote 205: _Ai_, literally a food, a course.]
The sisters, Maile-lau-lii and Maile-pakaha, who had been
interested spectators of the contest, conceived a passionate
liking for the two warriors and laid their plans in concert
to capture them for themselves. Fortunately their preferences
were not in conflict. Maile-lau-lii set her affections on
Maka-ku, while the younger sister devoted herself to
Pua-pua-kea.
The two men had previously allowed their fancies to range
abroad at pleasure; but from this time they centered their
hearts on these two Mailes and settled down to regular
married life.
Interest in the actual performance of the hula ki'i was
stimulated by a resort to byplay and buffoonery. One of the
marionettes, for instance, points to some one in the
audience; whereupon one of the _hoopaa_ asks, "What do you
want?" The marionette persists in its pointing. At length the
interlocutor, as if divining the marionette's wish, says:
"Ah, you want So-and-so." At this the marionette nods assent,
and the hoopaa asks again, "Do you wish him to come to you?"
The marionette expresses its delight and
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