und the door to the
heart of the people. So intimate and of so simple confidence
are the revelations the people make of themselves in their
songs and prattlings that when one undertakes to report what
he has heard and to translate into the terms of modern speech
what he has received in confidence, as it were, he almost
blushes, as if he had been guilty of spying on Adam and Eve
in their nuptial bower. Alas, if one could but muffle his
speech with the unconscious lisp of infancy, or veil and tone
his picture to correspond to the perspective of antiquity, he
might feel at least that, like Watteau, he had dealt
worthily, if not truly, with that ideal age which we ever
think of as the world's garden period.
The Hawaiians, it is true, were many removes from being
primitives; their dreams, however, harked back to a period
that was close to the world's infancy. Their remote ancestry
was, perhaps, akin to ours--Aryan, at least Asiatic--but the
orbit of their evolution seems to have led them away from the
strenuous discipline that has whipped the Anglo-Saxon branch
into fighting shape with fortune.
If one comes to the study of the hula and its songs in the
spirit of a censorious moralist he will find nothing for him;
if as a pure ethnologist, he will take pleasure in pointing
out the physical resemblances of the Hawaiian dance to the
languorous grace of the Nautch girls, of the geisha, and
other oriental dancers. But if he comes as a student and
lover of human nature, back of the sensuous posturings, in
the emotional language of the songs he will find himself
entering the playground of the human race.
The hula was a religious service, in which poetry, music,
pantomime, and the dance lent themselves, under the forms of
[Page 12] dramatic art, to the refreshment of men's minds. Its view of
life was idyllic, and it gave itself to the celebration of
those mythical times when gods and goddesses moved on the
earth as men and women and when men and women were as gods.
As to subject-matter, its warp was spun largely from the
bowels of the old-time mytho
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