FREE BOOKS

Author's List




PREV.   NEXT  
|<   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32  
33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   >>   >|  
und the door to the heart of the people. So intimate and of so simple confidence are the revelations the people make of themselves in their songs and prattlings that when one undertakes to report what he has heard and to translate into the terms of modern speech what he has received in confidence, as it were, he almost blushes, as if he had been guilty of spying on Adam and Eve in their nuptial bower. Alas, if one could but muffle his speech with the unconscious lisp of infancy, or veil and tone his picture to correspond to the perspective of antiquity, he might feel at least that, like Watteau, he had dealt worthily, if not truly, with that ideal age which we ever think of as the world's garden period. The Hawaiians, it is true, were many removes from being primitives; their dreams, however, harked back to a period that was close to the world's infancy. Their remote ancestry was, perhaps, akin to ours--Aryan, at least Asiatic--but the orbit of their evolution seems to have led them away from the strenuous discipline that has whipped the Anglo-Saxon branch into fighting shape with fortune. If one comes to the study of the hula and its songs in the spirit of a censorious moralist he will find nothing for him; if as a pure ethnologist, he will take pleasure in pointing out the physical resemblances of the Hawaiian dance to the languorous grace of the Nautch girls, of the geisha, and other oriental dancers. But if he comes as a student and lover of human nature, back of the sensuous posturings, in the emotional language of the songs he will find himself entering the playground of the human race. The hula was a religious service, in which poetry, music, pantomime, and the dance lent themselves, under the forms of [Page 12] dramatic art, to the refreshment of men's minds. Its view of life was idyllic, and it gave itself to the celebration of those mythical times when gods and goddesses moved on the earth as men and women and when men and women were as gods. As to subject-matter, its warp was spun largely from the bowels of the old-time mytho
PREV.   NEXT  
|<   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32  
33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   >>   >|  



Top keywords:
people
 
period
 

infancy

 

speech

 

confidence

 

censorious

 

moralist

 

dancers

 

oriental

 
pointing

student
 

fortune

 

geisha

 

spirit

 

Hawaiian

 
ethnologist
 

resemblances

 

physical

 
Nautch
 

pleasure


languorous

 

nature

 

mythical

 

goddesses

 
celebration
 

idyllic

 

bowels

 

largely

 

subject

 

matter


religious
 
service
 
poetry
 

playground

 

entering

 
posturings
 

emotional

 

language

 

pantomime

 
dramatic

refreshment

 
sensuous
 

remote

 

muffle

 

unconscious

 
nuptial
 
spying
 
antiquity
 

perspective

 
correspond