Love of Gain spurs them to every
Crime. Yet are they deemed also the most valiant Men in the World.
Such an one was Lampa, of that very Doria family, a man of an high
Courage truly. For when he was engaged in a Sea-Fight against the
Venetians, and was standing on the Poop of his Galley, his Son,
fighting valiantly at the Forecastle, was shot by an Arrow in the
Breast, and fell wounded to the Death; a Mishap whereat his Comrades
were sorely shaken, and Fear came upon the whole Ship's Company. But
Lampa, hot with the Spirit of Battle, and more mindful of his
Country's Service and his own Glory than of his Son, ran forward to
the spot, loftily rebuked the agitated Crowd, and ordered his Son's
Body to be cast into the Deep, telling them for their Comfort that the
Land could never have afforded his Boy a nobler Tomb. And then,
renewing the Fight more fiercely than ever, he achieved the Victory."
(_Benvenuto of Imola_, in _Comment. on Dante. in Muratori, Antiq._ i.
1146.)
("Yet like an English General will I die,
And all the Ocean make my spacious Grave;
Women and Cowards on the Land may lie,
The Sea's the Tomb that's proper for the Brave!"
--_Annus Mirabilis_.)
[20] The particulars of the battle are gathered from _Ferretus
Vicentinus_, in _Murat._ ix. 985 seqq.; _And. Dandulo_, in xii.
407-408; _Navagiero_, in xxiii. 1009-1010; and the Genoese Poem as
before.
[21] _Navagiero_, u.s. Dandulo says, "after a few days he died of grief";
Ferretus, that he was killed in the action and buried at Curzola.
[22] For the funeral, a MS. of Cibo Recco quoted by _Jacopo Doria_ in _La
Chiesa di San Matteo descritta_, etc., Genova, 1860, p. 26. For the
date of arrival the poem so often quoted:--
"_De Oitover_, a zoia, _a seze di_
Lo nostro ostel, con gran festa
En nostro porto, a or di sesta
Domine De restitui."
[23] S. Matteo was built by Martin Doria in 1125, but pulled down and
rebuilt by the family in a slightly different position in 1278. On
this occasion is recorded a remarkable anticipation of the feats of
American engineering: "As there was an ancient and very fine picture
of Christ upon the apse of the Church, it was thought a great pity
that so fine a work should be destroyed. And so they contrived an
ingenious method by
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