n he was about to be hanged for a thief, he was granted
a last request. He asked to be allowed to play his favorite piece
on his violin. As soon as he began, every one commenced to dance. He
continued, and all cried out for him to stop; but he would not cease
until they pardoned him and promised to make him king besides.
The history of the cycle of tales to which our story and the two
variants belong has been traced briefly in Bolte-Polivka, 2 :
491-503. The earliest forms of the Maerchen are the Middle-English
poems of the fifteenth century entitled "Jack and his Step-Dame" and
"The Frere and the Boye."
Here the hero is Jack, who is hated by his step-mother. Since his
father is not willing to turn him out of the house altogether, the
step-mother manages to bring it about that Jack is set to watch
the cattle, and she allows him only rotten food. An old man with
whom he shares his victuals grants him three wishes in return for
his kindness. He asks for a bow and a fife; and the old man gives
him a bow that never misses its aim, and a fife that compels every
one to dance. He also grants Jack's third wish, that every time his
step-mother hurls a bad word at him or about him, she shall give forth
another noise not permitted in polite society. When this happens that
evening at home to the amusement of all, the step-mother plans to send
the monk Tobias into the field the next day to punish Jack. However,
Jack asks the monk to fetch from the brambles a bird which he has shot,
and then he begins to play dance-music for the monk. All scratched
and bloody, Tobias returns home. That night the father calls his
son to account; but he is so pleased at the effects of the magic
fife, that he decides not to punish the boy. The official, too,
the bishop's agent, at whose court the next Friday step-mother and
monk bring charges of witchcraft against Jack, has to hear the fife,
and is obliged to dance until he promises to let Jack go unpunished.
The English story seems to have passed over into Holland, where in
1528 a Dutch form appeared, with some additions. A most significant
modification appears in a German handling of the Dutch form, by
Dieterich Albrecht in 1599:--
Here the hero is not a cowherd plagued by his malicious step-mother,
but a simple-minded servant who serves an avaricious master for three
years and receives as pay three pfennigs for the whole time. Pleased
with his earnings, however, he goes away singing. When he
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