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plays.' Thereupon the King summoned the Sessions before him in Council and threatened them with the full rigour of the law. Obdurate at first, the ministers subsequently agreed to moderate their hostile references to the actors. Finally, Nicolson adds, 'the King this day by proclamation with sound of trumpet hath commanded the players liberty to play, and forbidden their hinder or impeachment therein.' _MS. State Papers_, Dom. Scotland, P. R. O. vol. lxv. No. 64. {41b} Fleay, _Stage_, pp. 126-44. {41c} Cf. Duncan's speech (on arriving at Macbeth's castle of Inverness): This castle hath a pleasant seat; the air Nimbly and sweetly recommends itself Unto our gentle senses. _Banquo_. This guest of summer, The temple-haunting martlet, does approve, By his lov'd mansionry, that the heaven's breath Smells wooingly here. (_Macbeth_, 1. vi. 1-6). {42a} Cf. Cohn, _Shakespeare in Germany_, 1865; Meissner, _Die englischen Comodianten zur Zeit Shakespeare's in Oesterreich_, Vienna, 1884; Jon Stefansson on 'Shakespeare at Elsinore' in _Contemporary Review_, January 1896; _Notes and Queries_, 5th ser. ix. 43, and xi. 520; and M. Jusserand's article in the _Nineteenth Century_, April 1898, on English actors in France. {42b} Cf. _As you like it_, IV. i. 22-40. {43a} Cf. Elze, _Essays_, 1874, pp. 254 seq. {43b} 'Quality' in Elizabethan English was the technical term for the 'actor's profession.' {43c} Aubrey's _Lives_, ed. Andrew Clark, ii. 226. {44a} Halliwell-Phillipps, i. 121; Mrs. Stopes in _Jahrbuck der deutschen Shakespeare-Gesellschaft_, 1896, xxxii. 182 seq. {44b} _Scourge of Folly_, 1610, epigr. 159. {47} One of the many crimes laid to the charge of the dramatist Robert Greene was that of fraudulently disposing of the same play to two companies. 'Ask the Queen's players,' his accuser bade him in Cuthbert Cony-Catcher's _Defence of Cony-Catching_, 1592, 'if you sold them not _Orlando Furioso_ for twenty nobles [_i.e._ about 7 pounds], and when they were in the country sold the same play to the Lord Admiral's men for as many more.' {48} The playhouse authorities deprecated the publishing of plays in the belief that their dissemination in print was injurious to the receipts of the theatre. A very small proportion of plays acted in Elizabeth's and James I's reign consequently reached the printing press, and most of them are now lost. B
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