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the play of _Henry VIII_' (_Court and Times of James I_, 1848, vol. i. p. 253). A contemporary sonnet on 'the pittifull burning of the Globe playhouse in London,' first printed by Haslewood 'from an old manuscript volume of poems' in the _Gentleman's Magazine_ for 1816, was again printed by Halliwell-Phillipps (i. pp. 310, 311) from an authentic manuscript in the library of Sir Matthew Wilson, Bart., of Eshton Hall, Yorkshire. {263a} _Bodl. MS._ Rawl. A 239; cf. Spedding in _Gentleman's Magazine_, 1850, reprinted in New Shakspere Society's _Transactions_, 1874. {263b} Cf. Mr. Robert Boyle in New Shakspere Society's _Transactions_, 1884. {264} Halliwell-Phillipps, ii. 87. {265a} Manningham, _Diary_, March 23, 1601, Camd. Soc. p. 39. {265b} Cf. Aubrey, _Lives_; Halliwell-Phillipps, ii. 43; and art. Sir William D'Avenant in the _Dictionary of National Biography_. {267} The indenture prepared for the purchaser is in the Halliwell-Phillipps collection, which was sold to Mr. Marsden J. Perry of Providence, Rhode Island, U.S.A., in January 1897. That held by the vendor is in the Guildhall Library. {268} Shakespeare's references to puritans in the plays of his middle and late life are so uniformly discourteous that they must be judged to reflect his personal feeling. The discussion between Maria and Sir Andrew Aguecheek regarding Malvolio's character in _Twelfth Night_ (II. iii. 153 et seq.) runs: MARIA. Marry, sir, sometimes he is a kind of puritan. SIR ANDREW. O! if I thought that, I'd beat him like a dog. SIR TOBY. What, for being a puritan? thy exquisite reason, dear knight. SIR ANDREW. I have no exquisite reason for 't, but I have reason good enough. In _Winter's Tale_ (IV. iii. 46) the Clown, after making contemptuous references to the character of the shearers, remarks that there is 'but one puritan amongst them, and he sings psalms to hornpipes.' Cf. the allusions to 'grace' and 'election' in Cymbeline, p. 250, note 1. {269a} The town council of Stratford-on-Avon, whose meeting-chamber almost overlooked Shakespeare's residence of New Place, gave curious proof of their puritanic suspicion of the drama on February 7, 1612, when they passed a resolution that plays were unlawful and 'the sufferance of them against the orders heretofore made and against the example of other well-governed cities and boroughs,' and the council was therefore 'content,' the re
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