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crazed quatorzains to the chandlers! for lo, here he cometh that hath broken your legs.' But the effect of Sidney's work was just the opposite to that which Nash anticipated. It gave the sonnet in England a vogue that it never enjoyed before or since. {429b} With collections of sonnets of the first kind are occasionally interspersed sonnets of the second or third class, but I classify each sonnet-collection according to its predominant characteristic. {429c} Daniel reprinted all but nine of the sonnets that had been unwarrantably appended to Sidney's _Astrophel_. These nine he permanently dropped. {431} It is reprinted in Arber's _Garner_, ii. 225-64. {432a} Arber's _Garner_, v. 333-486. {432b} Ben Jonson developed the same conceit in his masque, _The Hue and Cry after Cupid_, 1608. {433a} Dekker's well-known song, 'Oh, sweet content,' in his play of 'Patient Grisselde' (1599), echoes this sonnet of Barnes. {433b} Arber's _Garner_, viii. 413-52. {433c} There is a convenient reprint of Lodge's _Phillis in Elizabethan Sonnet-Cycles_ by Martha Foote Crow, 1896. {435a} See p. 110, note. {435b} Arber's _Garner_, vi. 135-49. {435c} _Ib._ v. 61-86. {435d} Reprinted in Arber's _English Scholars' Library_, 1882. {435e} It was licensed for the press on November 19, 1594. {436a} Reprinted for the Roxburghe Club in _A Lamport Garland_, 1881, edited by Mr. Charles Edmonds. {436b} Sir John Davies's _Complete Poems_, edited by Dr. Grosart, i. 52-62. {436c} See p. 128, note. {437a} Arber's _Garner_, vii. 185-208. {437b} _Ib._ v. 587-622. {437c} Cf. Brydges's _Excerpta Tudoriana_, 1814, i. 35-7. One was printed with some alterations in Rosseter's _Book of Ayres_ (1610), and another in the _Third Book of Ayres_ (1617?); see Campion's Works, ed. A. H. Bullen, pp. 15-16, 102. {437d} Arber's _Garner_, viii. 171-99. {438a} See p. 390 and note. {438b} Practically to the same category as these collections of sonnets belong the voluminous laments of lovers, in six, eight, or ten lined stanzas, which, though not in strict sonnet form, closely resemble in temper the sonnet-sequences. Such are _Willobie's Avisa_, 1594; _Alcilia_: _Philoparthen's Loving Folly_, by J. C., 1595; _Arbor of Amorous Deuices_, 1597 (containing two regular sonnets), by Nicholas Breton; _Alba_, _the Months Minde of a Melancholy Lover_, by Robert Tofte, 1598; _Daiphantus_, _or the Passions of Lo
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