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t necessary to bear in mind what the previous chapters have aimed to make clear, that religion furnished the stimulus for the unfolding of intellectual life, and that the literary and scientific productions represent the work of men primarily interested in religion. The significance attached as omens to heavenly phenomena led by degrees to the elaborate astronomical system outlined in the previous chapter. But the astronomers of Babylonia were priests, and indeed the same priests who compiled the hymns and incantations. What is true of astronomy applies to medicine, so far as medicine had an existence independent of incantations, and also to law. The physician was a priest, as was the judge and likewise the scribe. It is natural, therefore, to find that what may be called the great national epic of the Babylonians was of a religious character. The interpretation given to the traditions of the past was religious. The distant past blended with the phenomena of nature in such a way as to form a strange combination of poetry and realism. But thanks to this combination, which is essentially a process of the popular mind, the production that we are about to consider brings us much closer to the popular phases of the Babylonian religion than does the cosmology or the zodiacal system. After all, a nation is much more interested in its heroes and in its own beginnings, than in the beginnings of things in general. Some speculation regarding the origin of the universe is perhaps inevitable the moment that the spirit of inquiry arises, but these speculations are soon entrusted into the hands of a minority,--the thinkers, the priests, the astronomers,--who elaborate a system that gradually separates itself from popular thought and exercises little influence upon the development of religious ideas among the masses. The Book of Genesis passes rapidly over the creation of stars, plants, and animals, as though anxious to reach the history of man, and when it comes to the traditions regarding the ancestors of the Hebrews, the details are dwelt upon at length and pictured with a loving hand. Similarly among the Babylonians, there is a freshness about the story of the adventures of a great hero of the past that presents a contrast to the rather abstruse speculations embodied in the creation epic. In this story, in which a variety of ancient traditions have been combined, there is comparatively little trace of the scholastic spirit, an
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