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and Hermann Fischer[32] have said in their essays in regard to this point--that Hoelderlin did not become insane because his life was a succession of unsatisfactory situations and painful disappointments, but because he had not the strength to work himself out of these situations into more favorable ones--states only half the case. True, a stronger mental organization might have overcome these or even greater difficulties; Schiller, Herder, Fichte are examples; but not all of Hoelderlin's failures and disappointments were the result of his weakness, and so while it is right to state that a stronger and more robust nature would have conquered in the fight, it is also fair to say that Hoelderlin would have had a good chance of winning, had fortune been more kind. For this reason these external influences must be reckoned with as an important cause of his Weltschmerz and subsequently of his insanity. This suggests an interesting point of comparison--if I may be permitted to anticipate somewhat--with Lenau, the second type selected. Hoelderlin earnestly pursued happiness and contentment, but it eluded him at every step. Lenau on the contrary reached a point in his Weltschmerz where he refused to see anything in life but pain, wilfully thrusting from him even such happiness as came within his reach. We may postpone any detailed reference to Hoelderlin's relations with Susette Gontard, which were vastly more important in their influence upon the poet's character and Weltschmerz, until we come to the discussion of his "Hyperion," of which Susette, under the pseudonym of Diotima, forms one of the central figures. To speak of all the disappointments which fell to Hoelderlin's lot would practically require the writing of his biography from the time of his graduation from Tuebingen to his return from Bordeaux, almost the entire period of his sane manhood. Unsuccessful in his first position as a tutor, and unable, after having abandoned this, to provide even a meagre living for himself with his pen, his migration to Frankfort to the house of the merchant Gontard at last gave him a hope of better things, but a hope which soon proved vain. Following close upon these disappointments was his failure to carry out a project which he had long cherished, of establishing a literary journal; then came his dismissal from a situation which he had just entered upon in Switzerland. On his return he wrote to Schiller for help and advice, and
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