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t in Hoelderlin's writings, Scherer's judgment is correct when he states: "Die Grundstimmung war eine tiefe Verbitterung gegen die Versunkenheit des Vaterlands."[40] The reason is not far to seek, especially when we consider the impossible demands of the poet's extravagant idealism. The conditions in Germany which had called forth the terrible arraignment of petty despotism, crushing militarism, and political rottenness generally, in the works of Lenz, Klinger and Schubart, had not abated. Schubart was one of Hoelderlin's earliest favorites, so that the latter was doubtless in this way imbued with sentiments which could only grow stronger under the influence of his more mature observations and experiences. Even in his eighteenth year, in a poem "An die Demut,"[41] he gives expression in strong terms to his patriotic feelings, in which his disgust with his faint-hearted, servile compatriots and his defiance of "Fuerstenlaune" and "Despotenblut" are plainly evident. So too in "Maennerjubel," 1788: Es glimmt in uns ein Funke der Goettlichen! Und diesen Funken soll aus der Maennerbrust Der Hoelle Macht uns nicht entreissen! Hoert es, Despotengerichte, hoert es![42] Perhaps nowhere outside of his own Wuerttemberg could he have been more unfavorably situated in this respect. Under Karl Eugen (1744-1793) the country sank into a deplorable condition. Regardless of the rights of individuals and communities alike, he sought in the early part of his reign to replenish his depleted purse by the most shameless measures, in order that he might surround himself with luxury and indulge his autocratic proclivities. Among his most reprehensible violations of constitutional rights, were his bartering of privileges and offices and the selling of troops. These things Hoelderlin attacks in one of his youthful poems "Die Ehrsucht" (1788): Um wie Koenige zu prahlen, schaenden Kleine Wuetriche ihr armes Land; Und um feile Ordensbaender wenden Raete sich das Ruder aus der Hand.[43] Another act of gross injustice which this petty tyrant perpetrated, and which Hoelderlin must have felt very painfully, was the incarceration of the poet's countryman Schubart from 1777 to 1787 in the Hohenasperg. But not only from within came tyrannous oppression. Following upon the coalition against France after the Revolution, Wuerttemberg became the scene of bloody conflicts and the ravages of war. Under the regime of Fri
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