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The Project Gutenberg EBook of Frederic Mistral, by Charles Alfred Downer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Frederic Mistral Poet and Leader in Provence Author: Charles Alfred Downer Release Date: December 12, 2005 [EBook #17293] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FREDERIC MISTRAL *** Produced by Juliet Sutherland, Juliet Sutherland, Taavi Kalju and the Online Distributed Proofreaders Europe at http://dp.rastko.net. [Illustration: FREDERIC MISTRAL] Columbia University _STUDIES IN ROMANCE PHILOLOGY AND LITERATURE_ FREDERIC MISTRAL POET AND LEADER IN PROVENCE BY CHARLES ALFRED DOWNER ASSISTANT PROFESSOR IN THE FRENCH LANGUAGE AND LITERATURE IN THE COLLEGE OF THE CITY OF NEW YORK NEW YORK THE COLUMBIA UNIVERSITY PRESS THE MACMILLAN COMPANY, AGENTS 66 FIFTH AVENUE 1901 _All rights reserved_ COPYRIGHT, 1901, THE MACMILLAN COMPANY. Norwood Press J.S. Cushing & Co.--Berwick & Smith Norwood Mass. U.S.A. PREFACE This study of the poetry and life-work of the leader of the modern Provencal renaissance was submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Columbia University. My interest in Mistral was first awakened by an article from the pen of the great Romance philologist, Gaston Paris, which appeared in the _Revue de Paris_ in October, 1894. The idea of writing the book came to me during a visit to Provence in 1897. Two years later I visited the south of France again, and had the pleasure of seeing Mistral in his own home. It is my pleasant duty to express here once again my gratitude for his kindly hospitality and for his suggestions in regard to works upon the history of the Felibrige. Not often does he who studies the works of a poet in a foreign tongue enjoy as I did the privilege of hearing the verse from the poet's own lips. It was an hour not to be forgotten, and the beauty of the language has been for me since then as real as that of music finely rendered, and the force of the poet's personality was impressed upon me as it scarcely could have been even from a most sympathetic and searching perusal of his
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