FREE BOOKS

Author's List




PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  
English the unity of the word _typewriter_ is further safeguarded by a predominant accent on the first syllable and by the possibility of adding such a suffixed element as the plural _-s_ to the whole word. Chinese also unifies its compounds by means of stress. However, then, in its ultimate origins the process of composition may go back to typical sequences of words in the sentence, it is now, for the most part, a specialized method of expressing relations. French has as rigid a word order as English but does not possess anything like its power of compounding words into more complex units. On the other hand, classical Greek, in spite of its relative freedom in the placing of words, has a very considerable bent for the formation of compound terms. It is curious to observe how greatly languages differ in their ability to make use of the process of composition. One would have thought on general principles that so simple a device as gives us our _typewriter_ and _blackbird_ and hosts of other words would be an all but universal grammatical process. Such is not the case. There are a great many languages, like Eskimo and Nootka and, aside from paltry exceptions, the Semitic languages, that cannot compound radical elements. What is even stranger is the fact that many of these languages are not in the least averse to complex word-formations, but may on the contrary effect a synthesis that far surpasses the utmost that Greek and Sanskrit are capable of. Such a Nootka word, for instance, as "when, as they say, he had been absent for four days" might be expected to embody at least three radical elements corresponding to the concepts of "absent," "four," and "day." As a matter of fact the Nootka word is utterly incapable of composition in our sense. It is invariably built up out of a single radical element and a greater or less number of suffixed elements, some of which may have as concrete a significance as the radical element itself. In, the particular case we have cited the radical element conveys the idea of "four," the notions of "day" and "absent" being expressed by suffixes that are as inseparable from the radical nucleus of the word as is an English element like _-er_ from the _sing_ or _hunt_ of such words as _singer_ and _hunter_. The tendency to word synthesis is, then, by no means the same thing as the tendency to compounding radical elements, though the latter is not infrequently a ready means for the synthetic tende
PREV.   NEXT  
|<   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78  
79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   >>   >|  



Top keywords:
radical
 

element

 

languages

 
elements
 

absent

 

composition

 
process
 

English

 

Nootka

 
complex

compounding

 

typewriter

 

synthesis

 
compound
 
suffixed
 

tendency

 

embody

 

expected

 
contrary
 

effect


formations

 

averse

 

stranger

 

surpasses

 

instance

 

capable

 

Sanskrit

 

utmost

 

single

 

nucleus


inseparable

 

suffixes

 
expressed
 

conveys

 

notions

 
singer
 

hunter

 

infrequently

 

synthetic

 

invariably


incapable

 

utterly

 
concepts
 

matter

 

Semitic

 
significance
 

concrete

 
greater
 
number
 
specialized