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ch Karadshitch must therefore be called the true discoverer of this mine of beauty; and the judiciousness, patience, and conscientious honesty, with which his collection was got up, deserves the highest praise. Many of the remarkable songs first communicated to the literary public were the reminiscences of his own youth; for he was born and brought up in Turkish Servia. Many more he was only able to find after years of careful and indefatigable research. His large collection--four volumes with at least five or six hundred pieces of poetry--was formed upon the principle, that no piece should be admitted, for the genuineness of which he could not be personally responsible, by having himself heard it from one of the people. Nearly the third part of these poems consists of epic tales; some of them from five to seven hundred verses long; one, more than twelve hundred. The poetry of the Servians is most intimately interwoven with their daily life. It is the picture of their thoughts, feelings, actions, and sufferings; it is the mental reproduction of the respective conditions of the mass of individuals, who compose the nation. The hall where the women sit spinning around the fireside; the mountains on which the boys pasture their flocks; the square where the village youth assemble to dance the _kolo_,[42] the plains where the harvest is reaped; the forests through which the lonely traveller journeys,--all resound with song. Song accompanies all kinds of business, and frequently relates to it. The Servian _lives_ his poetry. The Servians are accustomed to divide their songs into two great portions. Short compositions in various measures, either lyric or epic, and sung without instrumental accompaniment, they call _shenske pjesme_, or _female songs_, because they are mostly made by females. The other portion, consisting of long epic tales in verses of five regular trochaic feet, and chanted to the _Gusle_, a kind of simple violin with one chord, they called _Yunatchke pjesme,_ that is, _heroic_ or _young men's songs_; for it is an interesting fact, that the ideas of a _young man_ and of a _hero_, are expressed in Servian by one and the same word, _Yunak_. The first are, in a very high degree, of a domestic character. They accompany us through all the different relations of domestic life; as well through its daily occupations, as through the holidays and festivals which interrupt its ordinary course. Much has been said, and
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