may well appeal to _un peu_ for sense and authority.
Nay, might not _lick_ itself turn out to be the good old word _lam_ in
an English disguise, it the latter should claim descent as, perhaps, he
fairly might, from the Latin _lambere_? The New England _ferce_ for
_fierce_, and _perce_ for _pierce_ (sometimes heard as _fairce_ and
_pairce_), are also Norman. For its antiquity I cite the rhyme of _verse
and pierce_ in Chapman and Donne, and in some commendatory verses by a
Mr. Berkenhead before the poems of Francis Beaumont. Our _pairlous_ for
_perilous_ is of the same kind, and is nearer Shakespeare's _parlous_
than the modern pronunciation. One other Gallicism survives in our
pronunciation. Perhaps I should rather call it a semi-Gallicism, for it
is the result of a futile effort to reproduce a French sound with
English lips. Thus for _joint_, _employ_, _royal_, we have _jynt_,
_emply_, _r[)y]le_, the last differing only from _rile_ (_roil_) in a
prolongation of the _y_ sound. I find _royal_ so pronounced in the
'Mirror for Magistrates.' In Walter de Biblesworth I find _solives_
Englished by _gistes_. This, it is true, may have been pronounced
_jeests_, but the pronunciation _jystes_ must have preceded the present
spelling, which was no doubt adopted after the radical meaning was
forgotten, as analogical with other words in _oi_. In the same way after
Norman-French influence had softened the _l_ out of _would_ (we already
find _woud_ for _veut_ in N.F. poems), _should_ followed the example,
and then an _l_ was foisted into _could_, where it does not belong, to
satisfy the logic of the eye, which has affected the pronunciation and
even the spelling of English more than is commonly supposed. I meet with
_eyster_ for _oyster_ as early as the fourteenth century. I find _viage_
in Bishop Hall and Middleton the dramatist, _bile_ for _boil_ in Donne
and Chrononhotonthologos, _line_ for _loin_ in Hall, _ryall_ and _chyse_
(for choice) _dystrye_ for _destroy_, in the Coventry Plays. In
Chapman's 'All Fools' is the misprint of _employ_ for _imply_, fairly
inferring an identity of sound in the last syllable. Indeed, this
pronunciation was habitual till after Pope, and Rogers tells us that the
elegant Gray said _naise_ for _noise_ just as our rustics still do. Our
_cornish_ (which I find also in Herrick) remembers the French better
than _cornice_ does. While clinging more closely to the Anglo-Saxon in
dropping the _g_ from the end of