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s work in the "Quarterly Review" for January, 1851; so it must be sent in in November. Wilson refuses, as he is too busy. I believe you could best write such a review, of about sixteen pages (L16). If you agree to this, write a line to me or direct to Eastwick, who would then get a letter from Lockhart with the commission for you. God help Schleswig-Holstein! [10.] LONDON, _October 10, 1850._ You have given me the greatest pleasure, my dear M., by your beautiful present. Already, last night, I read the new "Greek Songs," and others that were new to me, with the greatest delight. We have, at all events, derived one benefit from the great storm,--that the fetters have been taken off the press. It is a very charming edition, and a beautiful memorial. As to F----, it seems to me _contra rei naturam_ to arrange anything with the "Quarterly Review." The channel for such things is now really the "Edinburgh;" in the "Quarterly" everything not English must be run down, at all events in appearance, if it is to be appreciated. And now "Modern German Poetry and F----," and Liberal politics! I cannot understand how F---- could think of such a thing. I will willingly take charge of it for the "Edinburgh Review." The editor is my political, theological, personal friend, and sympathizes with me in such things as I consider F----'s beautiful review will be. I have for years wished for such a one; epic-lyric poetry has made much greater advances since Goethe's time than people in Germany (with the one exception of Platen) seem to perceive. It seems to me, though, that one should begin with the flowers of the Romantic school of poetry, with Schenkendorf and Koerner,--that is, with the whole romantic German national epoch, which found Goethe already a retired philosopher. The whole development, from that time till now, appears to me as one intimately united whole, even including the present day. Even 1848 to 1850 have furnished their contribution (Arndt's two inspired songs, for instance); and in 1843-44, Geibel shines as a star of the first magnitude. Heine is difficult to treat. In fact, I do not think that F---- has read enough of these poets. He spoke to me lately of an historical work that he had in view, and which he wished to talk over with me; he meant to come up to me from the country, but has not yet appeared. He is always welcome, for he is decidedly a man of genius, and I would willingly help him. Now to somethin
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