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oss the Rhine. From this arose the connection of Attila with _Theodoric, the great King of the Ostrogoths_, who lived forty years later, and was intimately connected with the royal family of the Visigoths, and with the kingdom of the Visigoths, but of course could never have had any dealings with Attila. If one neglects such intimations, one arrives at last at the Goerres and Grimm clairvoyance, where not only everything is everything, but also everything again is nothing. Etzel, though, is not really Attila to Grimm, but the fairy nature of the legend allows of no certain conclusions. But I find that everywhere, where the tools are not wanting, the fermentation and decomposition process of the historical element can be proved; from which organically and by a process exactly analogous to that of the formation of languages in the first ages of the world, the epic legend arises, which the genius of the epic poet lays hold of when the time comes, with a consciousness of an historical destiny; as the tragic poet does in later times. If you have time, follow up this idea. This is the weak side of your generation and guild. The whole national element has been kept too much in the background in the conceit and high-stiltedness, not to say woodenness, of our critical researches. Instead of saying with the humorists of the eighteenth century, "Since Herman's death nothing new has happened in Germany," one ought to say "since Siegfried's death." The genius of the nation which mourned over Herman's fall and murder was the same that in its sorrow gave shape to the legend of Sigurd. Must not the hearts of our ancestors, whose blood flows in our veins, have felt as we do in like circumstances? The princes and their relatives have betrayed and sold and murdered the true prince of the German people, even to this day. And yet were there now but a Siegfried-Herman! "Exsurget aliquando istis ex ossibus ultor." I take this opportunity of calling your attention to a pamphlet by Bethman-Hollweg, which has just appeared, "The Ancient Germans before the Migration of Nations." I send it to you to-day, and you must bring it back when you come. Send me word by George when you can and will come. The Exhibition is, and will continue to be, the poetical and historical event of the period. "Les Anglais ont fait de la poesie sans s'en douter," as that excellent Jourdain said of his prose. Come and see it and us as soon as you can. [17.]
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