oss the Rhine. From this arose
the connection of Attila with _Theodoric, the great King of the
Ostrogoths_, who lived forty years later, and was intimately connected
with the royal family of the Visigoths, and with the kingdom of the
Visigoths, but of course could never have had any dealings with Attila.
If one neglects such intimations, one arrives at last at the Goerres and
Grimm clairvoyance, where not only everything is everything, but also
everything again is nothing. Etzel, though, is not really Attila to Grimm,
but the fairy nature of the legend allows of no certain conclusions. But I
find that everywhere, where the tools are not wanting, the fermentation
and decomposition process of the historical element can be proved; from
which organically and by a process exactly analogous to that of the
formation of languages in the first ages of the world, the epic legend
arises, which the genius of the epic poet lays hold of when the time
comes, with a consciousness of an historical destiny; as the tragic poet
does in later times.
If you have time, follow up this idea. This is the weak side of your
generation and guild. The whole national element has been kept too much in
the background in the conceit and high-stiltedness, not to say woodenness,
of our critical researches. Instead of saying with the humorists of the
eighteenth century, "Since Herman's death nothing new has happened in
Germany," one ought to say "since Siegfried's death." The genius of the
nation which mourned over Herman's fall and murder was the same that in
its sorrow gave shape to the legend of Sigurd. Must not the hearts of our
ancestors, whose blood flows in our veins, have felt as we do in like
circumstances? The princes and their relatives have betrayed and sold and
murdered the true prince of the German people, even to this day. And yet
were there now but a Siegfried-Herman! "Exsurget aliquando istis ex
ossibus ultor."
I take this opportunity of calling your attention to a pamphlet by
Bethman-Hollweg, which has just appeared, "The Ancient Germans before the
Migration of Nations." I send it to you to-day, and you must bring it back
when you come. Send me word by George when you can and will come.
The Exhibition is, and will continue to be, the poetical and historical
event of the period. "Les Anglais ont fait de la poesie sans s'en douter,"
as that excellent Jourdain said of his prose. Come and see it and us as
soon as you can.
[17.]
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