ry. On finding that
Xeques Fonteyma, the commander, was uncle to the King of Melinda, he
restored the valuable prize, and treated him with the utmost courtesy.
Their good offices were reciprocal. By the information of the King of
Melinda, Cabral escaped the treachery of the King of Calicut. The Kings
of Mombaz and Quiloa, irritated at the alliance with Portugal, made
several depredations on the subjects of Melinda, who in return were
effectually revenged by their European allies.

[403] A giant.

[404] _Two gods contending._--According to the fable, Neptune and
Minerva disputed the honour of giving a name to the city of Athens. They
agreed to determine the contest by a display of their wisdom and power,
in conferring the most beneficial gift on mankind. Neptune struck the
earth with his trident and produced the horse, whose bounding motions
are emblematical of the agitation of the sea. Pallas commanded the
olive-tree, the symbol of peace, and of riches, to spring forth. The
victory was adjudged to the goddess, from whom the city was named
Athens. The taste of the ancient Grecians clothed almost every
occurrence in mythological allegory. The founders of Athens, it is most
probable, disputed whether their new city should be named from the
fertility of the soil or from the marine situation of Attica. The former
opinion prevailed, and the town received its name in honour of the
goddess of the olive-tree--_Ath{=e}n{=e}_.

[405] _While Pallas here appears to wave her hand._--As Neptune struck
the earth with his trident, Minerva, says the fable, struck the earth
with her lance. That she waved her hand while the olive boughs spread,
is a fine poetical attitude, and varies the picture from that of
Neptune, which follows.

[406] _Though wide, and various, o'er the sculptur'd stone._--The
description of palaces is a favourite topic several times touched upon
by the two great masters of epic poetry, in which they have been happily
imitated by their three greatest disciples among the moderns, Camoens,
Tasso, and Milton. The description of the palace of Neptune has great
merit. Nothing can be more in place than the picture of chaos and the
four elements. The war of the gods, and the contest of Neptune and
Minerva are touched with the true boldness of poetical colouring. To
show to the English reader that the Portuguese poet is, in his manner,
truly classical, is the intention of many of these notes.

[407] Bacchus.

[408] The