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d siege to Almada, a fortress on a mountain near Lisbon, the garrison, in the utmost distress for water, were obliged at times to make sallies to the bottom of the hill in quest of it. Seventeen Portuguese thus employed were one day attacked by four hundred of the enemy. They made a brave defence, and effected a happy retreat into their fortress.--CASTERA. [530] _Far from the succour of the Lusian host._--When Alonzo V. took Ceuta, Don Pedro de Menezes was the only officer in the army who was willing to become governor of that fortress; which, on account of the uncertainty of succour from Portugal, and the earnest desire of the Moors to regain it, was deemed untenable. He gallantly defended his post in two severe sieges. [531] _That other earl._--He was the natural son of Don Pedro de Menezes. Alonzo V. one day, having ridden out from Ceuta with a few attendants, was attacked by a numerous party of the Moors, when De Vian, and some others under him, at the expense of their own lives, purchased the safe retreat of their sovereign. [532] _Two brother-heroes shine._--The sons of John I. Don Pedro was called the Ulysses of his age, on account both of his eloquence and his voyages. He visited almost every court of Europe, but he principally distinguished himself in Germany, where, under the standards of the Emperor Sigismond, he signalized his valour in the war against the Turks.--CASTERA. [533] _The glorious Henry._--In pursuance of the reasons assigned in the preface, the translator has here taken the liberty to make a transposition in the order of his author. In Camoens, Don Pedro de Menezes, and his son De Vian, conclude the description of the pictured ensigns. Don Henry, the greatest man perhaps that ever Portugal produced, has certainly the best title to close this procession of the Lusian heroes. And, as he was the father of navigation, particularly of the voyage of GAMA, to sum up the narrative with his encomium has even some critical propriety. These observations were suggested by the conduct of Camoens, whose design, like that of Virgil, was to write a poem which might contain all the triumphs of his country. As the shield of AEneas supplies what could not be introduced in the vision of Elysium, so the ensigns of GAMA complete the purpose of the third and fourth Lusiads. The use of that long episode, the conversation with the King of Melinda, and its connection with the subject, have been already observ
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