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the whole company naked, and left them destitute to the mercy of the desert. The wretchedness of the delicate and exposed Leonora was increased by the brutal insults of the negroes. Her husband, unable to relieve, beheld her miseries. After having travelled about 300 leagues, her legs swelled, her feet bleeding at every step, and her strength exhausted, she sunk down, and with the sand covered herself to the neck, to conceal her nakedness. In this dreadful situation, she beheld two of her children expire. Her own death soon followed. Her husband, who had been long enamoured of her beauty, received her last breath in a distracted embrace. Immediately, he snatched his third child in his arms, and uttering the most lamentable cries, he ran into the thickest of the wood, where the wild beasts were soon heard to growl over their prey. Of the whole four hundred who escaped the waves, only six and twenty arrived at another village, whose inhabitants were more civilized, and traded with the merchants of the Red Sea, from whence they found a passage to Europe, and brought the tidings of the unhappy fate of their companions. Jerome de Cortereal, a Portuguese poet, has written an affecting poem on the shipwreck, and deplorable catastrophe of Don Emmanuel, and his beloved spouse.--_Partly from_ Castera. [366] The giants or Titans; called "sons of God" in Gen. vi. 2.--_Ed._ [367] Briareus. [368] Doris, the sister and spouse of Nereus, and mother of the Nereides. By Nereus, in the physical sense of the fable, is understood the water of the sea, and by Doris, the bitterness or salt, the supposed cause of its prolific quality in the generation of fishes. [369] _And give our wearied minds a lively glow._--Variety is no less delightful to the reader than to the traveller, and the imagination of Camoens gave an abundant supply. The insertion of this pastoral landscape, between the terrific scenes which precede and follow, has a fine effect. "Variety," says Pope, in one of his notes on the Odyssey, "gives life and delight; and it is much more necessary in epic, than in comic or tragic, poetry, sometimes to shift the scenes, to diversify and embellish the story." The Portuguese, sailing upon the Atlantic Ocean, discovered the most southern point of Africa: here they found an immense sea, which carried them to the East Indies. The dangers they encountered in the voyage, the discovery of Mozambique, of Melinda, and of Calecut, have
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