tain that there is no space of three weeks, or
anything like it, either between the arrival in Cyprus and the brawl, or
between the brawl and the temptation. And I draw attention to the
supposition chiefly to show that quite a small change would remove the
difficulties, and to insist that there is nothing wrong at all in regard
to the time from the temptation onward. How to account for the existing
contradictions I do not at all profess to know, and I will merely
mention two possibilities.

Possibly, as Mr. Daniel observes, the play has been tampered with. We
have no text earlier than 1622, six years after Shakespeare's death. It
may be suggested, then, that in the play, as Shakespeare wrote it, there
was a gap of some weeks between the arrival in Cyprus and Cassio's
brawl, or (less probably) between the brawl and the temptation. Perhaps
there was a scene indicating the lapse of time. Perhaps it was dull, or
the play was a little too long, or devotees of the unity of time made
sport of a second breach of that unity coming just after the breach
caused by the voyage. Perhaps accordingly the owners of the play
altered, or hired a dramatist to alter, the arrangement at this point,
and this was unwittingly done in such a way as to produce the
contradictions we are engaged on. There is nothing intrinsically
unlikely in this idea; and certainly, I think, the amount of such
corruption of Shakespeare's texts by the players is usually rather
underrated than otherwise. But I cannot say I see any signs of foreign
alteration in the text, though it is somewhat odd that Roderigo, who
makes no complaint on the day of the arrival in Cyprus when he is being
persuaded to draw Cassio into a quarrel that night, should, directly
after the quarrel (II. iii. 370), complain that he is making no advance
in his pursuit of Desdemona, and should speak as though he had been in
Cyprus long enough to have spent nearly all the money he brought from
Venice.

Or, possibly, Shakespeare's original plan was to allow some time to
elapse after the arrival at Cyprus, but when he reached the point he
found it troublesome to indicate this lapse in an interesting way, and
convenient to produce Cassio's fall by means of the rejoicings on the
night of the arrival, and then almost necessary to let the request for
intercession, and the temptation, follow on the next day. And perhaps he
said to himself, No one in the theatre will notice that all this makes
an imposs