ages.

(_a_) The first of these, I. v. 54-5, I decidedly believe to be
spurious. (1) The scene ends quite in Shakespeare's manner without it.
(2) It does not seem likely that at the _end_ of the scene Shakespeare
would have introduced anything _violently_ incongruous with the
immediately preceding words,

Oh let me not be mad, not mad, sweet heaven!
Keep me in temper: I would not be mad!

(3) Even if he had done so, it is very unlikely that the incongruous
words would have been grossly indecent. (4) Even if they had been,
surely they would not have been _irrelevantly_ indecent and evidently
addressed to the audience, two faults which are not in Shakespeare's
way. (5) The lines are doggerel. Doggerel is not uncommon in the
earliest plays; there are a few lines even in the _Merchant of Venice_,
a line and a half, perhaps, in _As You Like It_; but I do not think it
occurs later, not even where, in an early play, it would certainly have
been found, _e.g._ in the mouth of the Clown in _All's Well_. The best
that can be said for these lines is that they appear in the Quartos,
_i.e._ in reports, however vile, of the play as performed within two or
three years of its composition.

(_b_) I believe, almost as decidedly, that the second passage, III. ii.
79 ff., is spurious. (1) The scene ends characteristically without the
lines. (2) They are addressed directly to the audience. (3) They destroy
the pathetic and beautiful effect of the immediately preceding words of
the Fool, and also of Lear's solicitude for him. (4) They involve the
absurdity that the shivering timid Fool would allow his master and
protector, Lear and Kent, to go away into the storm and darkness,
leaving him alone. (5) It is also somewhat against them that they do not
appear in the Quartos. At the same time I do not think one would
hesitate to accept them if they occurred at any natural place _within_
the dialogue.

(_c_) On the other hand I see no sufficient reason for doubting the
genuineness of Edgar's soliloquy at the end of III. vi. (1) Those who
doubt it appear not to perceive that _some_ words of soliloquy are
wanted; for it is evidently intended that, when Kent and Gloster bear
the King away, they should leave the Bedlam behind. Naturally they do
so. He is only accidentally connected with the King; he was taken to
shelter with him merely to gratify his whim, and as the King is now
asleep there is no occasion to retain the Bedlam; Kent, we