FREE BOOKS

Author's List




PREV.   NEXT  
|<   376   377   378   379   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394   395   396   397   398   399   400  
401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   421   422   423   424   425   >>   >|  
Costume._--The female dress of the Etruscans did not differ in any important respect from that of the Greeks; it consisted of the _chiton_ and _himation_, which was in earlier times usually worn as a shawl, not after the fashion of the Doric [Greek: peplos]. Two articles of costume, however, were peculiar to the Etruscans--the high conical hat known as the _tutulus_,[25] and the shoes with turned-up points (Latin _calcei repandi_). These have oriental analogies, and lend support to the tradition that the Etruscans came from Asia. Both are represented on a small bronze figure in the British Museum (fig. 19). On a celebrated terra-cotta sarcophagus in the British Museum of much later date (fig. 20), the female figure reclining on the lid wears a Greek chiton of a thin white material, with short sleeves fastened on the outside of the arm, by means of buttons and loops; a _himation_ of dark purple thick stuff is wrapped round her hips and legs; on her feet are sandals, consisting of a sole apparently of leather, and attached to the foot and leg with leather straps; under the straps are thin socks which do not cover the toes; she wears a necklace of heavy pendants; her ears are pierced for ear-rings; her hair is partly gathered together with a ribbon at the roots behind, and partly hangs in long tresses before and behind; a flat diadem is bound round her head a little way back from the brow and temples. Purple, pale green and white, richly embroidered, are favourite colours in the dresses represented on the painted tombs. [Illustration: Redrawn from photo (Mansell). FIG. 20.] The chief article of male dress was called the tebenna. We are told by ancient writers that the _toga praetexta_, with its purple border ([Greek: periporphyros tebenna]), as worn by Roman magistrates and priests, had been derived from the Etruscans (Pliny, N.H. ix. 63, "praetextae apud Etruscos originem invenere"); and the famous statue of the orator in Florence (Plate, fig. 22), an Etruscan work of the 3rd century B.C., represents a man clothed in this garment, which will be described below. Under the tebenna, or toga, which was necessary only for public appearance, the Etruscans wore a short tunic similar to the Greek chiton. For workmen and others of inferior occupation this appears to have been the only dress. Youths, when engaged in horsemanship and other exercises, wore a chlamys round the shoulders, which, however, was semicircular in cut,
PREV.   NEXT  
|<   376   377   378   379   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394   395   396   397   398   399   400  
401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   421   422   423   424   425   >>   >|  



Top keywords:

Etruscans

 

chiton

 

tebenna

 

Museum

 
British
 

represented

 

straps

 
figure
 
leather
 

purple


female

 

himation

 

partly

 

periporphyros

 

border

 

ancient

 
priests
 

praetexta

 

magistrates

 

writers


temples
 

Purple

 

richly

 

diadem

 

embroidered

 
favourite
 

Mansell

 

article

 

called

 

Redrawn


dresses
 

colours

 
painted
 

derived

 
Illustration
 

statue

 

appearance

 
similar
 

workmen

 

public


inferior

 

chlamys

 
exercises
 

shoulders

 
semicircular
 
horsemanship
 

appears

 

occupation

 

Youths

 
engaged