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been collected into a pamphlet with English renderings by Kuno Meyer (under the title of "Four Old Irish Songs of Summer and Winter," London, 1903). The same writer points out that the ancient treatise on Irish prosody published by Thurneysen contains no less than 340 quotations from poems, very few of which have been preserved in their entirety. To Meyer we also owe editions of two charming little texts which sufficiently illustrate the lyrical powers of the early poets. The one is a poem referred to the 10th century in the form of a colloquy between Guaire of Aidne and his brother Marban. Guaire inquires of his brother why he prefers to live in a hut in the forest, keeping the herds and swine of the king, to dwelling in the king's palace. The question calls forth so wonderful a description of the delights of nature as viewed from a shieling that Guaire exclaims, "I would give my glorious kingship to be in thy company, Marban" (_King and Hermit_, ed. with trans. by K. Meyer, London, 1901). Another text full of passionate emotion and tender regret ascribed to the 9th century tells of the parting of a young poet and poetess, who after plighting their troth are separated for ever (_Liadain and Curithir_, ed. with trans. by K. Meyer, London, 1902). In the _Old Woman of Beare_ (publ. K. Meyer in _Otia Merseiana_) an old hetaira laments her departed youth, comparing her life to the ebbing of the tide (10th century). Professional literature. We must now step aside from pure literature and turn our attention to the various productions of the professional learned classes of Ireland during the middle ages. The range of subjects coming under this heading is a very wide one, comprising history, genealogies, hagiology, topography, grammar, lexicography and metre, law and medicine. It will perhaps be as well first of all to deal with the learned _filid_ whose works have been preserved. Irish tradition preserves the names of a number of antiquarian poets of prehistoric or early medieval times, such as Amergin, one of the Milesian band of invaders; Moran Roigne, son of Ugaine Mor, Adna and his successor Ferceirtne, Torna (c. 400), tutor to Niall Noigiallach, Dallan Forgaill, Senchan Torpeist, and Cennfaelad (d. 678), but the poems attributed to these writers are of much later date. We can only enumerate the chief of those whose works have been preserved. To Maelmura (d. 887) is attributed a poem on the Milesian migrations. Abou
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