Harington has an
Italian softness and elegance, and differs greatly in
its style from the other portraits signed by Coxon
(portrait of Samuel Daniel on the title-page of his
Works, 1609; of John Taylor, "Workes," 1630, etc.). It
is possible that Harington's portrait was merely drawn
by Coxon, and engraved by an Italian 77

22.--How the knight Eurialus got secretly into his
lady-love's chamber. From the German version of the
history of the Lady Lucrece of Sienna, 1477, fol. (a
copy in the British Museum) 82

23.--Queen Cleopatra as represented on the English stage in
the eighteenth century: Mrs. Hartley in "All for
Love"; Page's engraving, dated 1776, for Bell's
"Theatre" 97

24.--Sketches made by Inigo Jones in Italy, 1614; from his
sketch-book reproduced in fac-simile by the care of the
Duke of Devonshire, London, 1832 100

25.--Persians standing as caryatides, from a drawing by
Inigo Jones for the circular court projected at
Whitehall, and reproduced by W. Kent: "The Drawings of
Inigo Jones," London, 1835, 2 vols., fol. 101

26.--A dragon according to Topsell, "The historie of
Serpents," London, 1608, fol., p. 153 103

27.--The "AEgyptian or land crocodile," according to
Topsell's "Historie of Serpents," London, 1608, fol.,
p. 140 109

28.--A Hippopotamus taking its food, according to Topsell's
"Historie of foure footed beastes," London, 1607, fol.,
p. 328 113

29.--"The true picture of the Lamia," _ibid._, p. 453 117

30.--"The boas," from Topsell's "Serpents," 1608,
frontispiece 121

31.--The Great Sea-serpent, _ibid._, p. 236 125

32.--Knightly pastimes; Hawking; illustrative of Gerismond's
life in the forest of Arden as described in Lodge's
"Rosalynd"; from Turberville's "Booke of Faulconerie,"
London, 1575, 4to, frontispiece 144

33.--Another dragon from Topsail's "Serpents," 1608, p. 153 145

33A.--Robert Greene in his shroud, from Dickenson's "Greene
i