mbus had turned the first daring furrow of
discovery in that unmeasured ocean which still girt the known earth
with a beckoning horizon of hope and conjecture, which was still fed by
rivers that flowed down out of primeval silences, and which still
washed the shores of Dreamland. Under a wise, cultivated, and
firm-handed monarch also, the national feeling of England grew rapidly
more homogeneous and intense, the rather as the womanhood of the
sovereign stimulated a more chivalric loyalty,--while the new religion,
of which she was the defender, helped to make England morally, as it
was geographically, insular to the continent of Europe.
If circumstances could ever make a great national poet, here were all
the elements mingled at melting-heat in the alembic, and the lucky
moment of projection was clearly come. If a great national poet could
ever avail himself of circumstances, this was the occasion,--and,
fortunately, Shakspeare was equal to it. Above all, we esteem it lucky
that he found words ready to his use, original and untarnished,--types
of thought whose sharp edges were unworn by repeated impressions. In
reading Hakluyt's Voyages, we are almost startled now and then to find
that even common sailors could not tell the story of their wanderings
without rising to an almost Odyssean strain, and habitually used a
diction that we should be glad to buy back from desuetude at any cost.
Those who look upon language only as anatomists of its structure, or
who regard it as only a means of conveying abstract truth from mind to
mind, as if it were so many algebraic formulae, are apt to overlook the
fact that its being alive is all that gives it poetic value. We do not
mean what is technically called a living language,--the contrivance,
hollow as a speaking-trumpet, by which breathing and moving bipeds,
even now, sailing o'er life's solemn main, are enabled to hail each
other and make known their mutual shortness of mental stores,--but one
that is still hot from the hearts and brains of a people, not hardened
yet, but moltenly ductile to new shapes of sharp and clear relief in
the moulds of new thought. So soon as a language has become literary,
so soon as there is a gap between the speech of books and that of life,
the language becomes, so far as poetry is concerned, almost as dead as
Latin, and (as in writing Latin verses) a mind in itself essentially
original becomes in the use of such a medium of utterance unconsciously
re
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