talism of the Spanish Arab and the sterner features of
the Spanish Goth being always strongly marked. The scenery, painted
with as much fidelity as truth, is sometimes brought before the eye by
minute description, and sometimes, with still happier effect, by
incidental touches,--an epithet or a simile, as appropriate as it is
suggestive. As we follow the route of Mundejar's army, the "frosty
peaks" of the Sierra Nevada are seen "glistening in the sun like
palisades of silver"; while terraces, scooped out along the rocky
mountain-side, are covered with "bright patches of variegated culture,
that hang like a garland round the gaunt Sierra." At their removal from
Granada, the remnant of what had once been a race of conquerors bid a
last farewell to their ancient homes just as "the morning light has
broken on the _red_ towers of the Alhambra"; and scattered over the
country in small and isolated masses, the presence of the exiles is
"sure to be revealed by the minute and elaborate culture of the
soil,--as the secret course of the mountain-stream is betrayed by the
brighter green of the meadow."

We had marked for quotation an admirable passage, in which our author
passes judgment on the policy of the Spanish government, its cruelty
and its mistakes. But want of space compels us here to take leave of a
book which we have not pretended to analyze, but to which we have
rendered sincere, though inadequate, praise.

[Footnote 1: "Sempre apparisce d'un volto e d'una temperatura medesima;
la qual cosa a chi, considerato gli accidenti che gli sono occorsi
delle morti dei figliuoli e delle mogli, ha fatto credere che fusse
crudele." _Relaz. Anon._ (1588.)]

[Footnote 2: None of the anecdotes in which Philip is represented as
giving way to violent bursts of anger will bear examination. Take, for
example, the story of his pent-up wrath having exploded against the
Prince of Orange, when he was quitting the Netherlands in 1559. The
Prince, it is said, who had accompanied him to the ship, endeavored to
convince him that the opposition to his measures, of which he
complained, had sprung from the Estates; on which the king, seizing
William's sleeve, and shaking it vehemently, exclaimed, "No, not the
Estates, but you,--you,--you!"--_No los Estados, ma vos,--vos,
--vos!_--using, say the original relator and the repeaters of
the story, a form of address, the second person plural, which in the
Spanish language is expressive of contempt. Now