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o may be most clearly, perhaps, communicated to my readers through the medium of the following extract from a letter which Mr. Barry (the friend and banker of Lord Byron) did me the favour of addressing to me, soon after his Lordship's death:--"When Lord Byron went to Greece, he gave me orders to advance money to Madame G * *; but that lady would never consent to receive any. His Lordship had also told me that he meant to leave his will in my hands, and that there would be a bequest in it of 10,000_l._ to Madame G * *. He mentioned this circumstance also to Lord Blessington. When the melancholy news of his death reached me, I took for granted that this will would be found among the sealed papers he had left with me; but there was no such instrument. I immediately then wrote to Madame G * *, enquiring if she knew any thing concerning it, and mentioning, at the same time, what his Lordship had said is to the legacy. To this the lady replied, that he had frequently spoken to her on the same subject, but that she had always cut the conversation short, as it was a topic she by no means liked to hear him speak upon. In addition, she expressed a wish that no such will as I had mentioned would be found; as her circumstances were already sufficiently independent, and the world might put a wrong construction on her attachment, should it appear that her fortunes were, in any degree, bettered by it."] [Footnote 52: This will remind the reader of Moliere's avowal in speaking of wit:--"C'est mon bien, et je le prends partout ou je le trouve."] [Footnote 53: The History of Agathon, by Wieland.] [Footnote 54: Between Wieland, the author of this Romance, and Lord Byron, may be observed some of those generic points of resemblance which it is so interesting to trace in the characters of men of genius. The German poet, it is said, never perused any work that made a strong impression upon him, without being stimulated to commence one, himself, on the same topic and plan; and in Lord Byron the imitative principle was almost equally active,--there being few of his poems that might not, in the same manner, be traced to the strong impulse given to his imagination by the perusal of some work that had just before interested him. In the history, too, of their lives and feelings, there was a strange and painful coincidence,--the revolution that took place in all Wieland's opinions, from the Platonism and romance of his youthful days, to the m
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