FREE BOOKS

Author's List




PREV.   NEXT  
|<   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266  
267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   >>   >|  
and the literary world hears of it, we shall raise an outcry from hundreds who never could see either his excellences or his defects, and from several who never have perused the noblest of his writings. _Landor._ It may be boyish and mischievous, but I acknowledge I have sometimes felt a pleasure in irritating, by the cast of a pebble, those who stretch forward to the full extent of the chain their open and frothy mouths against me. I shall seize upon this conjecture of yours, and say everything that comes into my head on the subject. Beside which, if any collateral thoughts should spring up, I may throw them in also; as you perceive I have frequently done in my _Imaginary Conversations_, and as we always do in real ones. _Southey._ When we adhere to one point, whatever the form, it should rather be called a disquisition than a conversation. Most writers of dialogue take but a single stride into questions the most abstruse, and collect a heap of arguments to be blown away by the bloated whiffs of some rhetorical charlatan, tricked out in a multiplicity of ribbons for the occasion. Before we open the volume of poetry, let me confess to you I admire his prose less than you do. _Landor._ Probably because you dissent more widely from the opinions it conveys: for those who are displeased with anything are unable to confine the displeasure to one spot. We dislike everything a little when we dislike anything much. It must indeed be admitted that his prose is often too latinized and stiff. But I prefer his heavy cut velvet, with its ill-placed Roman fibula, to the spangled gauze and gummed-on flowers and puffy flounces of our present street-walking literature. So do you, I am certain. _Southey._ Incomparably. But let those who have gone astray, keep astray, rather than bring Milton into disrepute by pushing themselves into his company and imitating his manner. Milton is none of these: and his language is never a patchwork. We find daily, in almost every book we open, expressions which are not English, never were, and never will be: for the writers are by no means of sufficiently high rank to be masters of the mint. To arrive at this distinction, it is not enough to scatter in all directions bold, hazardous, undisciplined thoughts: there must be lordly and commanding ones, with a full establishment of well-appointed expressions adequate to their maintenance. Occasionally I have been dissatisfied with Milton, becau
PREV.   NEXT  
|<   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266  
267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   >>   >|  



Top keywords:

Milton

 

expressions

 

thoughts

 

astray

 
Southey
 
dislike
 

Landor

 

writers

 

literature

 

walking


street

 
present
 

flounces

 

admitted

 
unable
 

displeased

 
confine
 
displeasure
 
latinized
 

fibula


spangled

 

gummed

 
prefer
 

velvet

 

flowers

 
patchwork
 

scatter

 

directions

 
hazardous
 
distinction

masters
 

arrive

 
undisciplined
 
Occasionally
 

maintenance

 

dissatisfied

 

adequate

 

appointed

 
lordly
 

commanding


establishment

 
company
 

imitating

 

manner

 

pushing

 

disrepute

 

Incomparably

 

language

 

sufficiently

 

English