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on, and does not speak comfortable words. She is described as a middle-aged lady of a comely and dignified appearance, crowned, and made specially in God's image and likeness. She tells him that if he had not put himself under the guidance of Idleness, Love would not have wounded him; that besides Danger, he has made her own daughter Shame his foe, and also Male-Bouche (Scandal, Gossip, Evil-Speaking), the third and most formidable guardian of the Rose. He ought never to have surrendered to Love. In the service of that power "il a plus poine Que n'ont hermite ne blanc moine; La poine en est demesuree, Et la joie a courte duree." The Lover does not take this sermon well. He is Love's: she may go about her business, which she does. He bethinks him that he has a companion, Amis (the Friend), who has always been faithful; and he will go to him in his trouble. Indeed Love had bidden him do so. The Friend is obliging and consoling, and says that he knows Danger. His bark is worse than his bite, and if he is spoken softly to he will relent. The Lover takes the advice with only partial success. Danger, at first robustious, softens so far as to say that he has no objection to the Lover loving, only he had better keep clear of his roses. The Friend represents this as an important point gained; and as the next step Pity and Frankness go as his ambassadresses to Danger, who allows Bialacoil to return to him and take him once more to see the Rose, more beautiful than ever. He even, assisted by Venus, is allowed to kiss his love. [Sidenote: _"Shame" and "Scandal."_] This is very agreeable: but it arouses the two other guardians of whom Reason has vainly warned him, Shame and Evil-Speaking, or Scandal. The latter wakes Jealousy, Fear follows, and Fear and Shame stir up Danger. He keeps closer watch, Jealousy digs a trench round the rose-bush and builds a tower where Bialacoil is immured: and the Lover, his case only made worse by the remembered savour of the Rose on his lips,[147] is left helpless outside. But as the rubric of the poem has it-- "Cyendroit trespassa Guillaume De Lorris, et n'en fist plus pseaulme." [Footnote 147: "Car ge suis a greignor meschief Por la joie que j'ai perdue. Que s'onques ne l'eussi eue." Dante undoubtedly had this in his mind when he wrote the immortal _Nessun maggior dolore_. All this famous passage, l. 4557 _sq._, is admirable.]
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