began to take her way,
Leaving her lover in great fear and woe,
For now he longs for nought but her alway:
The wretch, who cannot bear that she should go,
Strives with a whispered prayer her feet to stay;
And thus at last, all trembling, all afire,
In humble wise he breathes his soul's desire:
'Whoe'er thou art, maid among maidens queen,
Goddess, or nymph--nay, goddess seems most clear--
If goddess, sure my Dian I have seen;
If mortal, let thy proper self appear!
Beyond terrestrial beauty is thy mien;
I have no merit that I should be here!
What grace of heaven, what lucky star benign
Yields me the sight of beauty so divine?'
A conversation ensues, after which Giuliano departs utterly lovesick,
and Cupid takes wing exultingly for Cyprus, where his mother's palace
stands. In the following picture of the house of Venus, who shall say
how much of Ariosto's Alcina and Tasso's Armida is contained? Cupid
arrives, and the family of Love is filled with joy at Giuliano's
conquest. From the plan of the poem it is clear that its beauties are
chiefly those of detail. They are, however, very great. How perfect,
for example, is the richness combined with delicacy of the following
description of a country life:--
BOOK I. STANZAS 17-21.
How far more safe it is, how far more fair,
To chase the flying deer along the lea;
Through ancient woods to track their hidden lair,
Far from the town, with long-drawn subtlety:
To scan the vales, the hills, the limpid air,
The grass and flowers, clear ice, and streams so free;
To hear the birds wake from their winter trance,
The wind-stirred leaves and murmuring waters dance.
How sweet it were to watch the young goats hung
From toppling crags, cropping the tender shoot,
While in thick pleached shade the shepherd sung
His uncouth rural lay and woke his flute;
To mark, mid dewy grass, red apples flung,
And every bough thick set with ripening fruit,
The butting rams, kine lowing o'er the lea,
And cornfields waving like the windy sea.
Lo! how the rugged master of the herd
Before his flock unbars the wattled cote;
Then with his rod and many a rustic word
He rules their going: or 'tis sweet to note
The delver, when his toothed rake hath stirred
The stubborn clod, his hoe the glebe hath smote;
Barefoot the country girl, with loosened zone,
Spins, while she keeps her geese 'neath yond
|