fore that hour had never
thought of being knighted, nor had made provision of what is
required from him who seeketh knighthood, but with light impulse did
cause themselves to be borne upon the arms of those who were around
the Patriarch; and when they were in the path before him, these
raised such an one on high, and took his customary cap off, and
after he had had the cheek-blow which is used in knighting, put a
gold-fringed cap upon his head, and drew him from the press, and so
he was a knight. And after this wise were made four-and-thirty on
that evening, of the noble and lesser folk. And when the Emperor had
been attended to his lodging, night fell, and all returned home; and
the new knights without preparation or expense celebrated their
reception into chivalry with their families forthwith. He who
reflects with a mind not subject to base avarice upon the coming of
a new-crowned Emperor into so famous a city, and bethinks him how so
many noble and rich burghers were promoted to the honour of
knighthood in their native land, men too by nature fond of pomp,
without having made any solemn festival in common or in private to
the fame of chivalry, may judge this people little worthy of the
distinction they received.'
This passage is interesting partly as an instance of Florentine
spite against Siena, partly as showing that in Italy great
munificence was expected from the carpet-knights who had not won
their spurs with toil, and partly as proving how the German
Emperors, on their parade expeditions through Italy, debased the
institutions they were bound to hold in respect. Enfeebled by the
extirpation of the last great German house which really reigned in
Italy, the Empire was now no better than a cause of corruption and
demoralisation to Italian society. The conduct of a man like Charles
disgusted even the most fervent Ghibellines; and we find Fazio degli
Uberti flinging scorn upon his avarice and baseness in such lines as
these:--
Sappi ch' i' son Italia che ti parlo,
Di Lusimburgo _ignominioso Carlo_ ...
Veggendo te aver tese tue arti
_A tor danari e gir con essi a casa_ ...
Tu dunque, Giove, perche 'l Santo uccello
Da questo Carlo quarto
Imperador non togli e dalle mani
_Degli altri, lurchi moderni Germani_
_Che d' aquila un allocco n' hanno fatto_?
From a passage in a Sienese chronicle we learn what ceremonies of
bravery were usual in that city when the new knights understood
their duty
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