FREE BOOKS

Author's List




PREV.   NEXT  
|<   548   549   550   551   552   553   554   555   556   557   558   559   560   561   562   563   564   565   566   567   568   569   570   571   572  
573   574   575   576   577   578   579   580   581   582   583   584   585   586   587   588   589   590   591   592   593   594   595   596   597   >>   >|  
e floor shook. Then to her work she went; And stood him on his feet in hose and shoon; And purse and gilded girdle 'neath the fur That drapes his goodly limbs, she buckles on; Then bids the singers and sweet music stir, And showeth him to ladies for a boon And all who in that following went with her. At this point the poem is abruptly broken. The manuscript from which these sonnets are taken states they are a fragment. Had the remaining twelve been preserved to us, we should probably have possessed a series of pictures in which the procession to church would have been portrayed, the investiture with the sword, the accolade, the buckling on of the spurs, and the concluding sports and banquets. It is very much to be regretted that so interesting, so beautiful, and so unique a monument of Italian chivalry survives thus mutilated. But students of art have to arm themselves continually with patience, repressing the sad thoughts engendered in them by the spectacle of time's unconscious injuries. It is certain that Folgore would have written at least one sonnet on the quality of courtesy, which in that age, as we have learned from Matteo Villani, identified itself in the Italian mind with liberality. This identification marks a certain degradation of the chivalrous ideal, which is characteristic of Italian manners. One of Folgore's miscellaneous sonnets shows how sorely he felt the disappearance of this quality from the midst of a society bent daily more and more upon material aims. It reminds us of the lamentable outcries uttered by the later poets of the fourteenth century, Sacchetti, Boccaccio, Uberti, and others of less fame, over the decline of their age. Courtesy! Courtesy! Courtesy! I call: But from no quarter comes there a reply. They who should show her, hide her; wherefore I And whoso needs her, ill must us befall. Greed with his hook hath ta'en men one and all, And murdered every grace that dumb doth lie: Whence, if I grieve, I know the reason why; From you, great men, to God I make my call: For you my mother Courtesy have cast So low beneath your feet she there must bleed; Your gold remains, but you're not made to last: Of Eve and Adam we are all the seed: Able to give and spend, you hold wealth fast: Ill is the nature that rears such a breed! Folgore was not only a poet of occasion and compliment, but a political writer, who fully e
PREV.   NEXT  
|<   548   549   550   551   552   553   554   555   556   557   558   559   560   561   562   563   564   565   566   567   568   569   570   571   572  
573   574   575   576   577   578   579   580   581   582   583   584   585   586   587   588   589   590   591   592   593   594   595   596   597   >>   >|  



Top keywords:

Courtesy

 

Italian

 
Folgore
 

sonnets

 

quality

 

wherefore

 

quarter

 

society

 

murdered

 

befall


uttered

 
outcries
 
fourteenth
 

lamentable

 
reminds
 
material
 

century

 

Sacchetti

 

decline

 

Boccaccio


Uberti

 

wealth

 

nature

 

compliment

 

occasion

 

political

 

writer

 

reason

 

disappearance

 
Whence

grieve

 

remains

 
beneath
 

mother

 

buckling

 
accolade
 

concluding

 
sports
 

investiture

 
procession

pictures

 

church

 

portrayed

 
banquets
 

buckles

 

unique

 
beautiful
 

monument

 

goodly

 
chivalry