FREE BOOKS

Author's List




PREV.   NEXT  
|<   371   372   373   374   375   376   377   378   379   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394   395  
396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   >>   >|  
the original standard. All flax canvas is essentially of double warp, for it is invariably intended to withstand some pressure or rough usage. In structure it is similar to jute tarpaulin; indeed, if it were not for the difference in the fibre, it would be difficult to say where one type stopped and the other began. "Bagging," "tarpaulin" and "canvas" form an ascending series of cloths so far as fineness is concerned, although the finest tarpaulins are finer than some of the lower canvases. The cloth may be natural colour, bleached or dyed, a very common colour being tan. It has an enormous number of different uses other than naval. Amongst other articles made from it are:--receptacles for photographic and other apparatus; bags for fishing, shooting, golf and other sporting implements; shoes for cricket and other games, and for yachting; travelling cases and hold-alls, letter-bags, school-bags and nose-bags for horses. Large quantities of the various makes of flax and cotton canvases are tarred, and then used for covering goods on railways, wharves, docks, etc. Sail canvas is, naturally, of a strong build, and is quite different from the canvas cloth used for embroidery purposes, often called "art canvas." The latter is similar in structure to cheese cloths and strainers, the chief difference being that the yarns for art canvas are, in general, of a superior nature. All kinds of vegetable fibres are used in their production, chief among which are cotton, flax and jute. The yarns are almost invariably two or more ply, an arrangement which tends to obtain a uniform thickness--a very desirable element in these open-built fabrics. [Illustration.] The plain weave A in the figure is extensively used for these fabrics, but in many cases special weaves are used which leave the open spaces well defined. Thus weave B is often employed, while the "imitation gauze" weaves, C and D, are also largely utilized in the production of these embroidery cloths. Weave B is known as the hopsack, and probably owes its name to being originally used for the making of bags for hops. The cloth for this purpose is now called "hop pocketing," and is of a structure between bagging and tarpaulin. Another class of canvas, single warp termed "artists' canvas," is used, as its name implies, for paintings in oils. It is also much lighter than sail canvas, but must, of necessity, be made of level yarns. The best qualities are made of cream or ble
PREV.   NEXT  
|<   371   372   373   374   375   376   377   378   379   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394   395  
396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   >>   >|  



Top keywords:

canvas

 

cloths

 
tarpaulin
 

structure

 

weaves

 

canvases

 
colour
 
invariably
 

embroidery

 

called


production
 
fabrics
 
cotton
 

difference

 

similar

 

uniform

 
thickness
 

desirable

 

arrangement

 

element


obtain

 

Another

 

Illustration

 

pocketing

 

bagging

 

general

 

superior

 

nature

 

paintings

 

implies


artists

 

vegetable

 

single

 

termed

 

fibres

 
figure
 
originally
 

making

 

lighter

 

largely


strainers
 
hopsack
 

utilized

 

necessity

 

imitation

 

special

 
qualities
 

extensively

 
spaces
 

purpose