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of visiting them. A fine collation was served. The Emperor and Empress, however, did not appear, and the usual extremely formal ceremonies were dispensed with. It is the custom to give the inmates of the hospitals in Tokio a rare feast from what is left of the banquet. I had a busy day in Yokohama, which I found an attractive modern city, with beautiful shops, pleasant hotels, and a great crowd of visitors. I left early the following morning, April 28th, for Nikko. * * * * * NIKKO, _April 28th_: The sky was overcast when we started, and before noon there was a heavy rain which prevented any enjoyment of the really fine landscape. The Japanese proverb in substance runs: "Do not use the word 'magnificent' until you have seen Nikko." This had been ringing in my ears all the way, and to be compelled to proceed through the long street of the village in a closed jinrikisha was tantalizing. The Nikko Hotel was to have been my destination, but I met friends on the train and was persuaded to accompany them to the new Kanaya Hotel, situated nearer the village on a height. My programme in Nikko could only include three days; hence I decided that a study of the various temples, a general view of the city, and an excursion to Lake Chuzenji must suffice. The following morning the sun was shining, and I departed early to visit the temples. The way lay down to the river Daiya-gawa. From the bridge in actual use and at a short distance I beheld the "Red Bridge," formerly lacquered and having brass ornaments, sacred to royal use only, and held in veneration by the Japanese. A long avenue of cryptomerias followed. This tree is like the redwood of California when used in the interior of a building; indeed, after a long period of time, the coloring is precisely the same. This I noticed in the Imperial palaces at Kyoto. I walked up the avenue with a feeling of awe, and it seemed as if the whole atmosphere of Nikko was surcharged with an element of sanctity, and that no one could gaze on the mountains and the groves of cryptomerias without being somewhat better than before. At the end of the avenue the perspective is wonderful, for one looks through a series of great stone toriis, gray with age, and sees along the way objects that are of interest, a five-story pagoda being the most striking. This approach is to the great Temple of Ieyasu, the illustrious Shogun and founder of the Tokugawa dynasty and,
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