FREE BOOKS

Author's List




PREV.   NEXT  
|<   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256  
257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   >>   >|  
erton," testifies one of his early acquaintances, "was fond of walking in the fields, particularly in Redcliffe meadows, and of talking of his manuscripts, and sometimes reading them there. There was one spot in particular, full in view of the church, in which he seemed to take a peculiar delight. He would frequently lay himself down, fix his eyes upon the church, and seem as if he were in a kind of trance. Then on a sudden he would tell me: 'That steeple was burnt down by lightning: that was the place where they formerly acted plays.'" "Among his early studies," we are told, "antiquities, and especially the surroundings of medieval life, were the favorite subjects; heraldry seems especially to have had a fascination for him. He supplied himself with charcoal, black-lead, ochre, and other colors; and with these it was his delight to delineate, in rough and quaint figures, churches, castles, tombs of mailed warriors, heraldic emblazonments, and other like belongings of the old world."[5] Is there not a breath of the cloister in all this, reminding one of the child martyr in Chaucer's "Prioresse Tale," the "litel clergeon, seven yeer of age"? "This litel child his litel book lerninge, As he sat in the scole at his prymer, He 'Alma redemptoris' herde singe, As children lerned hir antiphoner." A choir boy bred in cathedral closes, catching his glimpses of the sky not through green boughs, but through the treetops of the Episcopal gardens discolored by the lancet windows of the clear-stories; dreaming in the organ loft in the pauses of the music, when "The choristers, sitting with faces aslant, Feel the silence to consecrate more than the chant." Thus Chatterton's sensitive genius was taking the impress of its environment. As he pored upon the antiquities of his native city, the idea of its life did sweetly creep into his study of imagination; and he gradually constructed for himself a picture of fifteenth-century Bristol, including a group of figures, partly historical and partly fabulous, all centering about Master William Canynge. Canynge was the rich Bristol merchant who founded or restored St. Mary Redcliffe's; was several times mayor of the city in the reigns of Henry VI. and Edward IV., and once represented the borough in Parliament. Chatterton found or fabled that he at length took holy orders and became dean of Westbury College. About Canynge Chatterton arranged a numb
PREV.   NEXT  
|<   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256  
257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   >>   >|  



Top keywords:

Canynge

 

Chatterton

 
partly
 

antiquities

 
Bristol
 

figures

 

Redcliffe

 
delight
 

church

 

silence


consecrate

 

cathedral

 

closes

 
aslant
 

antiphoner

 

sensitive

 
taking
 

genius

 

glimpses

 

windows


boughs
 

lancet

 
impress
 
gardens
 

Episcopal

 
discolored
 

treetops

 

stories

 

choristers

 

catching


dreaming

 

pauses

 

sitting

 
constructed
 

Edward

 

represented

 

borough

 

reigns

 

Parliament

 

College


Westbury

 

arranged

 
length
 

fabled

 

orders

 

restored

 

imagination

 

gradually

 

lerned

 
picture