ning this important
portion of every book.
The Jewish and many oriental authors were fond of allegorical titles,
which always indicate the most puerile age of taste. The titles were
usually adapted to their obscure works. It might exercise an able
enigmatist to explain their allusions; for we must understand by "The
Heart of Aaron," that it is a commentary on several of the prophets.
"The Bones of Joseph" is an introduction to the Talmud. "The Garden of
Nuts," and "The Golden Apples," are theological questions; and "The
Pomegranate with its Flower," is a treatise of ceremonies, not any more
practised. Jortin gives a title, which he says of all the fantastical
titles he can recollect is one of the prettiest. A rabbin published a
catalogue of rabbinical writers, and called it _Labia Dormientium_, from
Cantic. vii. 9. "Like the best wine of my beloved that goeth down
sweetly, causing _the lips of those that are asleep to speak_." It hath
a double meaning, of which he was not aware, for most of his rabbinical
brethren talk very much like _men in their sleep_.
Almost all their works bear such titles as
bread--gold--silver--roses--eyes, &c.; in a word, anything that
signifies nothing.
Affected title-pages were not peculiar to the orientals: the Greeks and
the Romans have shown a finer taste. They had their Cornucopias, or
horns of abundance--Limones, or meadows--Pinakidions, or
tablets--Pancarpes, or all sorts of fruits; titles not unhappily adapted
for the miscellanists. The nine books of Herodotus, and the nine
epistles of AEschines, were respectively honoured by the name of a Muse;
and three orations of the latter, by those of the Graces.
The modern fanatics have had a most barbarous taste for titles. We could
produce numbers from abroad, and at home. Some works have been called,
"Matches lighted at the Divine Fire,"--and one "The Gun of Penitence:" a
collection of passages from the fathers is called "The Shop of the
Spiritual Apothecary:" we have "The Bank of Faith," and "The
Sixpennyworth of Divine Spirit:" one of these works bears the following
elaborate title: "Some fine Biscuits baked in the Oven of Charity,
carefully conserved for the Chickens of the Church, the Sparrows of the
Spirit, and the sweet Swallows of Salvation." Sometimes their quaintness
has some humour. Sir Humphrey Lind, a zealous puritan, published a work
which a Jesuit answered by another, entitled "A Pair of Spectacles for
Sir Humphrey Lind.
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