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ning this important portion of every book. The Jewish and many oriental authors were fond of allegorical titles, which always indicate the most puerile age of taste. The titles were usually adapted to their obscure works. It might exercise an able enigmatist to explain their allusions; for we must understand by "The Heart of Aaron," that it is a commentary on several of the prophets. "The Bones of Joseph" is an introduction to the Talmud. "The Garden of Nuts," and "The Golden Apples," are theological questions; and "The Pomegranate with its Flower," is a treatise of ceremonies, not any more practised. Jortin gives a title, which he says of all the fantastical titles he can recollect is one of the prettiest. A rabbin published a catalogue of rabbinical writers, and called it _Labia Dormientium_, from Cantic. vii. 9. "Like the best wine of my beloved that goeth down sweetly, causing _the lips of those that are asleep to speak_." It hath a double meaning, of which he was not aware, for most of his rabbinical brethren talk very much like _men in their sleep_. Almost all their works bear such titles as bread--gold--silver--roses--eyes, &c.; in a word, anything that signifies nothing. Affected title-pages were not peculiar to the orientals: the Greeks and the Romans have shown a finer taste. They had their Cornucopias, or horns of abundance--Limones, or meadows--Pinakidions, or tablets--Pancarpes, or all sorts of fruits; titles not unhappily adapted for the miscellanists. The nine books of Herodotus, and the nine epistles of AEschines, were respectively honoured by the name of a Muse; and three orations of the latter, by those of the Graces. The modern fanatics have had a most barbarous taste for titles. We could produce numbers from abroad, and at home. Some works have been called, "Matches lighted at the Divine Fire,"--and one "The Gun of Penitence:" a collection of passages from the fathers is called "The Shop of the Spiritual Apothecary:" we have "The Bank of Faith," and "The Sixpennyworth of Divine Spirit:" one of these works bears the following elaborate title: "Some fine Biscuits baked in the Oven of Charity, carefully conserved for the Chickens of the Church, the Sparrows of the Spirit, and the sweet Swallows of Salvation." Sometimes their quaintness has some humour. Sir Humphrey Lind, a zealous puritan, published a work which a Jesuit answered by another, entitled "A Pair of Spectacles for Sir Humphrey Lind.
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