pletives.
I shall now say something of _Monosyllables_, which seem to be
absolutely condemn'd in the second Line of the two Verses just
mention'd from Mr. _Pope's Essay on Criticism_.
And ten low Words oft creep in one dull Line.
Mr. _Dryden_ indeed has said in several Places, that the vast Number
of _Monosyllables_ in our Language makes it barbarous and rough, and
unfit for Poetry. I am apt to think Mr. _Pope_ gave into Mr.
_Dryden_'s Sentiment a little too hastily. I own _ten low Words_ too
frequently _creep on in one dull line_, in a Poet's Works, whom Mr.
_Pope_ has formerly celebrated with no mean Encomiums.
The following Lines afford an Example in this respect.
At the beginning of the third Book of the _Davideis_, this is the
Description of _Goliah_'s Sword.
"A Sword so great, that _it_ was only _fit_
To take off his great Head, who came with _it_.
_Cowley._
Here are ten _dull_ Words most certainly in one _dull_ Line.
"To take off his great Head, who came with _it_.
And miserable is the Metre in which they creep on. But hundreds of
_monosyllable_ Lines are to be found in _Milton_ that are as sublime,
as beautiful, and as harmonious as can possibly be written. Look only
into the Morning Hymn in the fifth Book.
"Speak ye who best can tell, ye Sons of Light.
Again,
"Thou Sun! of this great World both Eye and Soul.
Again,
"And when high Noon hast gain'd, and when thou fall'st.
Again,
"With the fixt Stars, fixt in their Orb that flies.
Again,
"Breathe soft or loud; and wave your Tops, ye Pines.
Again,
"Bear on your Wings and in your Notes his Praise.
Can it be said that ten dull Words creep on dully in any one of these
Lines? But Examples may likewise be given in rhym'd Verse, of the
Harmony of _Monosyllables_. Harmony consists in mixing rough and
smooth, soft and harsh Sounds. What Words can be rougher than such as
these, _Rides_, _Rapt_, _Throws_, _Storms_; or smoother than these,
_Wheel_, _Hush_, _Lull_?
"Then mounted on his radiant Carr he _rides_,
And _wheels_ along the level of the Tides.
_Pit_'s 1st AEneid.
How rough is the first Line, how soft the latter! As soft as the
Original, which is a Masterpiece.
"_Rapt_ by his Steeds he flies in open Day,
_Throws_ up the Reins, and skims the watry Way.
"Has given to thee
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