garden, and the vast collection in the different
apartments, almost the whole outside of the house is covered with
curious pieces in basso and alto relievo. The most masterly is that of
Curtius on horseback, leaping into the gulph or opening of the earth,
which is said to have closed on receiving this sacrifice. Among the
exhibitions of art within the house, I was much struck with a Bacchus,
and the death of Meleager, represented on an antient sepulchre. There
is also an admirable statue of Silenus, with the infant Bacchus in his
arms; a most beautiful gladiator; a curious Moor of black marble, with
a shirt of white alabaster; a finely proportioned bull of black marble
also, standing upon a table of alabaster; a black gipsey with a head,
hands, and feet of brass; and the famous hermaphrodite, which vies with
that of Florence: though the most curious circumstance of this article,
is the mattrass executed and placed by Bernini, with such art and
dexterity, that to the view, it rivals the softness of wool, and seems
to retain the marks of pressure, according to the figure of the
superincumbent statue. Let us likewise own, for the honour of the
moderns, that the same artist has produced two fine statues, which we
find among the ornaments of this villa, namely, a David with his sling
in the attitude of throwing the stone at the giant Goliah; and a Daphne
changing into laurel at the approach of Apollo. On the base of this
figure, are the two following elegant lines, written by pope Urban
VIII. in his younger years.
Quisquis amans sequitur fugitivae gaudia formae,
Fronde manus implet, baccas vel carpit amaras.
Who pants for fleeting Beauty, vain pursuit!
Shall barren Leaves obtain, or bitter fruit.
I ought not to forget two exquisite antique statues of Venus, the
weeping slave, and the youth pulling a thorn out of his foot.
I do not pretend to give a methodical detail of the curiosities of
Rome: they have been already described by different authors, who were
much better qualified than I am for the talk: but you shall have what
observations I made on the most remarkable objects, without method,
just as they occur to my remembrance; and I protest the remarks are all
my own: so that if they deserve any commendation, I claim all the
merit; and if they are impertinent, I must be contented to bear all the
blame.
The piazza of St. Peter's church is altogether sublime. The double
colonnade on each side extending in
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