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The Project Gutenberg EBook of Marie Bashkirtseff (From Childhood to Girlhood), by Marie Bashkirtseff This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Marie Bashkirtseff (From Childhood to Girlhood) Author: Marie Bashkirtseff Release Date: November 1, 2004 [EBook #13916] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MARIE BASHKIRTSEFF *** Produced by Steve Harris, Andrea Ball and the Online Distributed Proofreading Team. [Illustration] MARIE BASHKIRTSEFF (From Childhood to Girlhood) TRANSLATED FROM THE FRENCH BY MARY J. SAFFORD PREFACE THE SOUL OF A LITTLE GIRL Marie Bashkirtseff, beginning at twelve years old, wrote her journal ingenuously, sincerely, amusing us by her whims, thrilling us by her enthusiasms, touching us by her sufferings. We have gone through these note-books bound in white parchment, slightly discoloured, like the winding sheet in which sleeps a memory, and have already gathered a volume, precious, not because it describes such an entertainment or such an event, but because it reveals the mentality of a young girl. This time we have been especially interested by the first books, written in a large, unformed hand, dashing, variable, following the successive impressions of a changeful, sensitive nature. Very few documents exist concerning children, in whom the nineteenth century alone began to interest itself. In fact the real personality of the child is very secret, for it distrusts these comprehensive and authoritative beings, "grown-up people." And it hides its ironical observations, its dreams, all the ardour of its little soul. Children play. They have built, with sand and twigs, a fantastic world peopled with their familiar toys: a grey cloth elephant, a multi-coloured duck as big as that white plush bear. And they are in the jungle, tracking, hunting, killing. Then they dance round to a secret rhythm. Stop to look at them, the game will end. The little mouths will become silent. The child will always hide the ingenuous observations it makes with its clear eyes. Therefore it seems to us very interesting to show a little girl's existence, not told from the distance of past
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