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[162], comparing them with those made in Gaul; and those woven by the Parthians.[163] We have already said that the wool of Miletus was a proverbial favourite with the Greeks. Eustathius speaks of the excellence of the Milesian carpets and hangings. Virgil represents the virgins of Cyrene spinning Milesian wool dyed of a deep sea-green.[164] In the British Museum is a fragment of Egyptian woollen or worsted embroidery on white linen, discoloured by its use as mummy wrapping; but the stitches of worsted remain a perfectly clear bright crimson and indigo blue. This shows how wool absorbs the colour and retains it. Even when the surface is faded, it can be made to emit it again by chemical processes. In tombs in the Crimea have been found variously woven and adorned woollen fabrics. There are fragments resembling in their texture a fine rep--a sort of corded stuff; another material resembling a woollen crepe, or fine "nun's gauze." This veiled a golden wreath. Then there is a stuff like what is now called "atlas"--a kind of woollen satin. Some woollens are woven simply like linen; some are wide, some very narrow, sewn together in strips, woven in meandering designs. One, like a piece of Gobelin tapestry, has a border of ducks with yellow wings and dark green heads and throats,[165] and then another with a pattern of stags' heads. This description recalls the specimens on plate 16 and plate 39. From these tombs are collected stuffs of wool, woven and embroidered in gold with combinations of many colours; and, in fact, through this collection, now placed in the Museum at St. Petersburg, we become aware that 300 B.C. the Greeks had learned all the secrets of the art of weaving wool. They, however, lost it, and it is only in India that its continuity was never broken. Indian looms still weave, of the finest fleeces, such shawls of Babylonian design as repeat the texture of the ancient Greek garments. But were they Greek? or did those beautiful woven fabrics come from Persia or India?[166] The first we know of Scandinavian wool for dress, is a fragment from a Celtic barrow in Yorkshire--a woollen plaited shroud. This fabric was an advance upon the original northern savage costume--a sheep-skin fashioned and sewn with a fish-bone for a needle, sinews for thread, and a thorn for a pin. But we must imagine that some use was made, besides plaiting, of the spun wool, of which the early northern women have left us evidence
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