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rism to an endurable and delightful lowness of tone, while preserving as far as possible all their light and purity. Prismatic colours are so radiantly glorious, that when we see the rainbow in the sky it is each time a joyful surprise. The most stolid natures are moved by it; we have even seen our dog staring at it. When, in experiments on light, the shafts of colour are thrown on the wall, they are greeted with shouts of admiration; but these glories are veiled to us by the fact that the eye cannot dissect the prismatic ray without the assistance of the instrument that has revealed it. This is a merciful arrangement; for we are not fitted to live in a prismatic display, any more than in a continuity of lightning flashes. We should go mad or blind if exposed to either. Science has shown us the perfect beauty of colour without form, the soothing pleasures of its harmonies, and the delightful surprises of its contrasts. From the glimpses we have of its nature and laws, we may hope for fresh inspiration for the art of the colourist. Though it is true that each eye, even when educated, retains its own special appreciation of the colours that gratify its seeing nerve, yet there are certain standards which give almost universal pleasure.[287] The blind and the colour-blind must remain exceptions for all time; and there are many gradations in colour-blindness, till we come to the normal class of seeing eyes; and passing them by, reach to those few men, gifted beyond all others with that fund of sensitive eye-nerve and mental power, which enables them to create new thoughts in colour.[288] Titian and his school arose from the inherited science and tradition, and carefully prepared pigments of his immediate predecessors, acting on an exceptional eye and mind, imbued with the splendours of the early mornings and the sunsets in the glowing atmosphere of Venice. Colour has long been supposed to convey certain impressions to the mind. The absence of all colour, which we call "black," symbolizes in dress, grief, pride, or dignity; according as it drapes the mourner, the Spanish grandee, or the priest.[289] Yellow being the colour of the sun and of corn and gold, represents riches, generosity, and light. Red stands between the dark and the lively colours, and represents warmth and animation, dignity, splendour, life, love, and joy. The expression of blue is that of purity. It recalls the distant sky, the calm ocean, a
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