ft in his work, "_The Native Races of the Pacific States_," Vol.
IV., page 277, remarks: "That the scarcity of idols among the Maya
antiquities must be regarded as extraordinary. That the people of
Yucatan were idolators there is no possible doubt, and in connection
with the magnificent shrines and temples erected by them, and rivalling
or excelling the grand obelisks of Copan, might naturally be sought for,
but in view of the facts it must be concluded that the Maya idols were
very small, and that such as escaped the fatal iconoclasms of the
Spanish ecclesiastics were buried by the natives as the only means of
preventing their desecration."

That the people who inhabited the country at the time of the Spanish
conquest had a multiplicity of gods there can be no doubt. The primitive
form of worship, with time and by the effect of invasions from outside,
had disappeared, and been replaced by that of their great men and women,
who were deified and had temples raised to their memory, as we see, for
example, in the case of _Moo_,[TN-4] wife and sister of Chaacmol, whose
shrine was built on the high mound on the north side of the large square
in the city of Izamal. There pilgrims flocked from all parts of the
country to listen to the oracles delivered by the mouth of her priests;
and see the goddess come down from the clouds every day, at mid-day,
under the form of a resplendent macaw, and light the fire that was to
consume the offerings deposited on her altar; even at the time of the
conquest, according to the chroniclers, Chaacmol himself seems to have
become the god of war, that always appeared in the midst of the battle,
fighting on the side of his followers, surrounded with flames. Kukulcan,
"the culture" hero of the Mayas, the winged serpent, worshipped by the
Mexicans as the god Guetzalcoalt,[TN-5] and by the Quiches as Cucumatz,
if not the father himself of Chaacmol, CAN, at least one of his
ancestors.

The friends and followers of that prince may have worshipped him after
his death, and the following generations, seeing the representation of
his totems (serpent) covered with feathers, on the walls of his palaces,
and of the sanctuaries built by him to the deity, called him Kukulcan,
the winged serpent: when, in fact, the artists who carved his emblems on
the walls covered them with the cloaks he and all the men in authority
and the high priests wore on ceremonial occasions--feathered
vestments--as we learned from th