of the inscriptions may yet prove the
Egyptian version to contain some truth. _Nic_ or _Nicte_[TN-33] means
flower; a cast of her face, with a flower sculptured on one cheek,
exists among my collections.
We are told that three children were born to Isis and Osiris: Horus,
Macedo, and Harpocrates. Well, in the scene painted on the walls of
Chaacmol's funeral chamber, in which the body of this warrior is
represented stretched on the ground, cut open under the ribs for the
extraction of the heart and visceras, he is seen surrounded by his wife,
his sister NIC, his mother _Zo[c]_, and four children.
I will close these similes by mentioning that _Thoth_ was reputed the
preceptor of Isis; and said to be the inventor of letters, of the art of
reckoning, geometry, astronomy, and is represented in the hieroglyphs
under the form of a baboon (cynocephalus). He is one of the most ancient
divinities among the Egyptians. He had also the office of scribe in the
lower regions, where he was engaged in noting down the actions of the
dead, and presenting or reading them to Osiris. One of the modes of
writing his name in hieroglyphs, transcribed in our common letters,
reads _Nukta_; a word most appropriate and suggestive of his attributes,
since, according to the Maya language, it would signify to understand,
to perceive, _Nuctah_: while his name Thoth, maya[TN-34] _thot_ means to
scatter flowers; hence knowledge. In the temple of death at Uxmal, at
the foot of the grand staircase that led to the sanctuary, at the top of
which I found a sacrificial altar, there were six cynocephali in a
sitting posture, as Thoth is represented by the Egyptians. They were
placed three in a row each side of the stairs. Between them was a
platform where a skeleton, in a kneeling posture, used to be. To-day the
cynocephali have been removed. They are in one of the yard[TN-35] of the
principal house at the Hacienda of Uxmal. The statue representing the
kneeling skeleton lays, much defaced, where it stood when that ancient
city was in its glory.
In the mural paintings at Chichen-Itza, we again find the baboon
(Cynocephalus) warning Moo of impending danger. She is pictured in her
home, which is situated in the midst of a garden, and over which is seen
the royal insignia. A basket, painted blue, full of bright oranges, is
symbolical of her domestic happiness. She is sitting at the door. Before
her is an individual pictured physically deformed, to show the ug
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