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manufacture a pair of tongs. There is no exaggeration in what I say. Guess about this country all I do not tell you. For my part I do not mind it, but I have suffered a little from it in the fear of seeing my children suffer much from it. Happily, my ambulance is doing well. To-morrow we depart for the Carthusian monastery of Valdemosa, the most poetic residence on earth. We shall pass there the winter, which has hardly begun and will soon end. This is the sole happiness of this country. I have never in my life met with a nature so delicious as that of Majorca. ...The people of this country are generally very gracious, very obliging; but all this in words... I shall write to Leroux from the monastery at leisure. If you knew what I have to do! I have almost to cook. Here, another amenity, one cannot get served. The domestic is a brute: bigoted, lazy, and gluttonous; a veritable son of a monk (I think that all are that). It requires ten to do the work which your brave Mary does. Happily, the maid whom I have brought with me from Paris is very devoted, and resigns herself to do heavy work; but she is not strong, and I must help her. Besides, everything is dear, and proper nourishment is difficult to get when the stomach cannot stand either rancid oil or pig's grease. I begin to get accustomed to it; but Chopin is ill every time that we do not prepare his food ourselves. In short, our expedition here is, in many respects, a frightful fiasco. On December 15, 1838, then, the Sand party took possession of their quarters in the monastery of Valdemosa, and thence the next letters are dated. Chopin to Fontana; "Palma, December 28, 1838, or rather Valdemosa, a few miles distant from Palma":-- Between rocks and the sea, in a great abandoned Carthusian monastery, in one of the cells with doors bigger than the gates in Paris, you may imagine me with my hair uncurled, without white gloves, pale as usual. The cell is in the shape of a coffin, high, and full of dust on the vault. The window small, before the window orange, palm, and cypress trees. Opposite the window, under a Moorish filigree rosette, stands my bed. By its side an old square thing like a table for writing, scarcely serviceable; on it a leaden candlestick (a great luxury) with a little tallow-candle, Works of Bach, my jottings, and old scrawls that are not mine, this is all I posses
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