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The Project Gutenberg EBook of Frederick Chopin as a Man and Musician, by Frederick Niecks This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Frederick Chopin as a Man and Musician Volume 1-2, Complete Author: Frederick Niecks Release Date: January, 2004 [EBook #4973] Posting Date: December 12, 2009 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FREDERICK CHOPIN *** Produced by John Mamoun, Charles Franks and the Online Distributed Proofreading Team FREDERICK CHOPIN AS A MAN AND MUSICIAN By Frederick Niecks Third Edition (1902) VOLUME I. TABLE OF CONTENTS PREFACE TO THE FIRST EDITION (1888) PREFACE TO THE SECOND EDITION (1890) PREFACE TO THE FIRST EDITION (1902) PROEM: POLAND AND THE POLES CHAPTERS I-XIX PREFACE TO THE FIRST EDITION While the novelist has absolute freedom to follow his artistic instinct and intelligence, the biographer is fettered by the subject-matter with which he proposes to deal. The former may hopefully pursue an ideal, the latter must rest satisfied with a compromise between the desirable and the necessary. No doubt, it is possible to thoroughly digest all the requisite material, and then present it in a perfect, beautiful form. But this can only be done at a terrible loss, at a sacrifice of truth and trustworthiness. My guiding principle has been to place before the reader the facts collected by me as well as the conclusions at which I arrived. This will enable him to see the subject in all its bearings, with all its pros and cons, and to draw his own conclusions, should mine not obtain his approval. Unless an author proceeds in this way, the reader never knows how far he may trust him, how far the evidence justifies his judgment. For--not to speak of cheats and fools--the best informed are apt to make assertions unsupported or insufficiently supported by facts, and the wisest cannot help seeing things through the coloured spectacles of their individuality. The foregoing remarks are intended to explain my method, not to excuse carelessness of literary workmanship. Whatever the defects of the present volumes may be--and, no doubt, they are both gr
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