FREE BOOKS

Author's List




PREV.   NEXT  
|<   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259  
260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   >>   >|  
indium | _Crist_ issum | _Crist_ uasum | _Crist_ dessum | _Crist_ uasum This versification, one of the elements of which was the repetition of words or sounds at regular intervals, was transformed about the eighth century into a more learned system. Thenceforward alliteration, assonance, rhyme, and a fixed number of syllables constituted the characteristics of Irish verse: Messe ocus Pangur bAN cechtar nathar fria saindAN bith a _menma_ sam fri SEILGG mu _menma_ cein im sainchEIRDD. As we see, the consonants in the rhyme-words were merely related: _l, r, n, ng, m, dh, gh, bh, mh, ch, th, f_ could rime together just as could _gg, dd, bb_. Soon the poets did not limit themselves to end-rhymes, which ran the risk of becoming monotonous, but introduced also internal rhyme, which set up what we may call a continuous chain of melody: is aire caraim DOIRE ar a reidhe ar a ghlOINE 's ar iomad a aingel fIND o 'n CIND go aoich arOILE. This harmonious versification was replaced in the seventeenth century by a system in which account was no longer taken of consonantal rhyme or of the number of syllables. The rules of Irish verse have nothing in common with classical Latin metres, which were based on the combination of short and long syllables. In Low-Latin, indeed, we find occasionally alliteration, rhyme, and a fixed number of syllables, but these novelties are obviously of foreign origin, and date from the time when the Romans borrowed them from the nations which they called barbarous. We cannot prove beyond yea or nay that they are of Celtic origin, but it is extremely probable that they are, for it is among the Celts both of Ireland and of Wales that the harmonizing of vowels and of consonants has been carried to the highest degree of perfection. This learned art was not acquired without long study. The training of a poet (_file_) lasted twelve years, or more. The poets had a regular hierarchy. The highest in rank, the _ollamh_, knew 350 kinds of verse and could recite 250 principal and 100 secondary stories. The _ollamhs_ lived at the court of the kings and the nobles, who granted them freehold lands; their persons and their property were sacred; and they had established in Ireland schools in which the people might learn history, poetry, and law. The bards formed a numerous class, of a rank inferior to the _file_; they did not enj
PREV.   NEXT  
|<   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259  
260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   >>   >|  



Top keywords:
syllables
 

number

 

consonants

 

Ireland

 

origin

 

highest

 

century

 

versification

 

regular

 
system

alliteration

 

learned

 

formed

 

called

 

barbarous

 

probable

 

extremely

 
Celtic
 
nations
 
Romans

inferior

 

metres

 

combination

 

occasionally

 

borrowed

 

novelties

 

foreign

 

numerous

 
history
 

property


recite
 
principal
 

sacred

 
ollamh
 
established
 
secondary
 

granted

 

freehold

 
nobles
 
stories

ollamhs
 

schools

 

hierarchy

 
carried
 
people
 

harmonizing

 

persons

 

vowels

 

degree

 

perfection