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ngs of our times was a simple Irish parish priest, the late Father Healy. Of his humorous sayings the number is legion; his wit may be illustrated by a less familiar example--his comment on a very tall young lady named Lynch: "Nature gave her an inch and she took an ell." In the House of Commons today there is no greater master of irony and sardonic humor than his namesake, Mr. Tim Healy. On one occasion he remarked that Lord Rosebery was not a man to go tiger-shooting with--except at the Zoo. On another, being anxious to bring an indictment against the "Castle" _regime_ in Dublin and finding the way blocked by a debate on Uganda, he successfully accomplished his purpose by a judicious geographical transference of names, and convulsed the House by a speech in which the nomenclature of Central Africa was applied to the government of Ireland. But wit and humor are the monopoly of no class or calling in Ireland. They flourish alike among car-drivers and K.C.'s, publicans and policemen, priests and parsons, beggars and peers. It is a commonplace of criticism to deny these qualities in their highest form to women. But this is emphatically untrue of Ireland, and was never more conclusively disproved than by the recent literary achievements of her daughters. The partnership of two Irish ladies, Miss Edith Somerville and Miss Violet Martin, has given us, in _Some Experiences of an Irish R.M._ (_i.e._, Resident Magistrate), the most delicious comedy, and in _The Real Charlotte_ the finest tragi-comedy, that have come out of Great Britain in the last thirty years. The _R.M._, as it is familiarly called, is already a classic, but the Irish _comedie humaine_--to use the phrase in the sense of Balzac--is even more vividly portrayed in the pages of _The Real Charlotte_. Humor, genuine though intermittent, irradiates the autumnal talent of Miss Jane Barlow, and the long roll of gifted Irishwomen who have contributed to the gaiety of nations may be closed with the names of Miss Hunt, author of _Folk Tales of Breffny_; of Miss Purdon and Miss Winifred Letts, who in prose and verse, respectively, have moved us to tears and laughter by their studies of Leinster peasant life; and of "Moira O'Neill" (Mrs. Skrine), the incomparable singer of the Glens of Antrim. To give a full list of the living Irish writers, male and female, who are engaged in the benevolent work of driving dull care away would be impossible within the space at our comm
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