had amassed
by his pen.
Nahum Tate (1652-1715), a Dubliner by birth, and Nicholas Brady
(1659-1726), a Bandon man, have secured a certain sort of twin
immortality by their authorized metrical version of the Psalms
(1696), which gradually took the place of the older rendering by
Sternhold and Hopkins. Tate became poet-laureate in 1690 in
succession to Shadwell and was appointed historiographer-royal in
1702. He wrote the bulk of the second part of _Absalom and
Achitophel_ with a wonderfully close imitation of Dryden's manner,
besides several dramatic pieces and poems. Between Tate, Shadwell,
Eusden, and Pye lies the unenviable distinction of being the worst of
the laureates of England. Brady was a clergyman who, after the
pleasant fashion of that day, was a pluralist on a small scale, for
he had the living of Richmond for thirty years from 1696, and while
holding that held also in succession the livings of Stratford-on-Avon
and Clapham. He added further to his income, and doubtless to his
anxieties, by keeping a school at Richmond. He wrote a tragedy
entitled _The Rape_, a _History of the Goths and Vandals_, a
translation of the _Aeneid_ into blank verse, and an _Ode for St.
Cecilia's Day_; but, unless for his share in the version of the
Psalms, his literary reputation is well nigh as dead as the dodo.
Ireland somewhat doubtfully claims to have given birth to Mrs.
Susannah Centlivre (c. 1667-1723), who, after a rather wild youth,
settled down to literary pursuits and domestic contentment when, in
1706, she married Queen Anne's head-cook, Joseph Centlivre, with whom
she lived happily ever after. Her first play, _The Provoked Husband_,
a tragedy, was produced in 1700, and then she went on the stage as an
actress. She wrote in all nineteen dramatic pieces, some of which had
the honor of being translated into French and German. Her most
original play was _A Bold Stroke for a Wife_ (1717).
III. EIGHTEENTH CENTURY.
We have now fairly crossed the border of the eighteenth century, and,
as we met Ussher early in the seventeenth, so we are here confronted
with the colossal intellect and impressive personality of Swift, one
of the greatest, most peculiar, and most original geniuses to be
found in the whole domain of English literature. Jonathan Swift
(1667-1745), born in Dublin, was educated at Trinity College, where
he succeeded in graduating only by special favor. After some years
spent in the household of Sir William
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