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duate and became an actor, but owing to his accidental killing of another player he left the stage and secured a commission in the army. He soon turned his attention to the writing of plays, and was responsible in all for eight comedies. He has left us some characters that are very humorous and at the same time true to life, such as Scrub the servant in _The Beaux' Stratagem_ and Sergeant Kite in _The Recruiting Officer_. His Boniface, the landlord in the former of these two plays, has become the type, as well as the ordinary quasi-facetious nickname, of an innkeeper. He was advancing in his art, for his last comedy, _The Beaux' Stratagem_ (1707), is undoubtedly his best, and had he lived longer--he died before he was thirty--he might have bequeathed to posterity something even more noteworthy. As Leigh Hunt says of him: "He was becoming gayer and gayer, when death, in the shape of a sore anxiety, called him away as if from a pleasant party, and left the house ringing with his jest." Southerne was also a student of Trinity College, Dublin. At the age of eighteen, however, he left his _alma mater_, and went to London to study law. This profession he in turn abandoned for the drama. His first play, _The Persian Prince, or the Loyal Brother_, had remarkable success when performed, and secured him an ensign's commission in the army (1685). Here promotion came to him rapidly and by 1688 he had risen to captain's rank. The Revolution of that year, however, cut off all further hope of advancement, and he once more turned his attention to the writing of plays. His productions number ten. His tragedies _Isabella, or the Fatal Marriage_ (1694) and _Oroonoko_ (1696), both founded on tales by Mrs. Aphra Behn, are powerful presentations of human suffering. His comedies are amusing, but gross. Southerne had business ability enough to make play-writing pay, and the amounts he received for his productions fairly staggered his friend Dryden. It is to this faculty that Pope alludes when he says that Southerne was one whom heaven sent down to raise The price of prologues and of plays. He was apparently of amiable and estimable character, for he secured and retained the friendship not only of Dryden--a comparatively easy matter--but also that of Pope, a much more difficult task. Known as "the poets' Nestor", Southerne spent his declining years in peaceful retirement and in the enjoyment of the fortune which he
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