FREE BOOKS

Author's List




PREV.   NEXT  
|<   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311  
312   313   314   315   316   317   318   319   320   321   322   323   324   >>  
. There is much of interest, though chiefly as regards the drama, in the reviews, Beltaine (London and Dublin, 1899-1900) and Samhain (London and Dublin, 1901-1903). IRISH WRITERS OF ENGLISH By P.J. LENNOX, B.A., Litt.D. The Gaelic literature of Ireland is not only of wonderful volume and priceless worth, but is also of great antiquity, whereas the English literature of Ireland, while also of considerable extent and high value, is of comparatively modern origin. The explanation of this fact is that for more than six centuries after the Anglo-Norman invasion of 1169 the Irish language continued to be both the spoken and, with Latin, the written organ of the great mass of the Irish people, and that for nearly the whole of that period those English settlers who did not become, as the well-known phrase has it, more Irish than the Irish themselves by adopting the native language, customs, and sentiments, were kept too busy in holding, defending, and extending their territory to devote themselves to literary pursuits. Hence we need not wonder if, leaving out of account merely technical works like Lionel Power's treatise on music, written in 1395, we find that the English literature of Ireland takes its comparatively humble origin late in the sixteenth century. For more than two centuries thereafter, owing to the fact that the native Irish, because they were Catholics, were debarred by law from an education, the writing of English remained almost exclusively in the hands of members or descendants of the Anglo-Irish colony, who, with scarcely an exception, were Protestants and had as their principal Irish seat of learning the then essentially Protestant institution, Trinity College, Dublin. Alien in race and creed though these writers mainly were, they have nevertheless spread a halo of glory around their adopted country, and have won the admiration, and often the affection, of Irishmen of every shade of religious and political belief. For example, there is no Irishman who is not proud of Molyneux and Swift, of Goldsmith and Burke, of Grattan and Sheridan. From the nineteenth century onward Irish Catholics have taken their full share in the production of English literature. Here, however, it will be necessary to consider the writers of none but the sixteenth, seventeenth, and eighteenth centuries, as in other pages of this volume considerable attention has been given to those of later date. I. SIXTEENTH CENTURY.
PREV.   NEXT  
|<   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311  
312   313   314   315   316   317   318   319   320   321   322   323   324   >>  



Top keywords:

English

 

literature

 
centuries
 

Ireland

 

Dublin

 
considerable
 
comparatively
 
origin
 

language

 

century


sixteenth
 

Catholics

 

writers

 
native
 
written
 
volume
 
London
 

College

 

Protestant

 
learning

essentially

 

institution

 

Trinity

 

spread

 

exception

 
interest
 

education

 

writing

 

remained

 

chiefly


debarred

 

exclusively

 
scarcely
 

adopted

 

Protestants

 

colony

 

descendants

 
members
 

principal

 

admiration


production

 

seventeenth

 

eighteenth

 

SIXTEENTH

 

CENTURY

 
attention
 
onward
 

nineteenth

 

religious

 

political